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Envy Synopsis

Eve Leslie is a poor country girl who wishes she could have fine clothes, motors, and wealthy friends. The person she envies most is famous actress Betty Howard, not knowing that Betty's life has been full of sorry--for years she sought a certain man, and when she found him he was a a desperate criminal who, misunderstanding her kindnesses, tried to blackmail her. Her hard work, too, has affected her health and her physician has ordered her to give up the stage to take a long rest. Betty longs for just the sort of life that Eve has and doesn't seem to appreciate. Through Adam Moore, son of a rich man, Eve hears much of Betty Howard, who is a "pal" of Adam's. One day Betty is motoring with Stanton Skinner, an unscrupulous man who wants her to marry him. Betty collapses and is taken to Eve's home, which is nearby; they become friends. Rocco Erwin, the man Betty has been seeking, attempts to rob Skinner, is caught, and is released only upon Betty's pleas. She tells Skinner who Rocco is. Rocco, himself, does not know. Rocco later comes to Betty for more money, is refused, and throttles her and flees, leaving her for dead. Skinner, who has fallen in love with Eve, invites her aboard his yacht. Rocco follows Skinner to the yacht, where Eve has gone. Rocco asks Skinner to help him escape. Skinner refuses and Rocco attacks him. Rocco learns that Betty is his sister, and attempts to slay Skinner, while Eve crouches nearby frantic with terror. Betty recovers, learns where Eve has gone, and, with Adam to help her, follows to the yacht. In exciting scenes Adam and Betty rescue Eve from her peril and she rests securely in Adam's arms, envious no longer.

The Martyrdom of Philip Strong Synopsis

"Man, you are a living lie." Thus is Philip Strong, the rising young pastor of a fashionable Calvary Church, addressed by Brother Man (symbolizing the Spirit of Christ on earth). Surrounded by luxury, lionized by a wealthy congregation, Philip Strong suddenly realizes the force of these words. He has been preaching the doctrines of Christ, but his work has been the work of bare words only. To prove the truth of what he says. Brother Man leads Philip to the slums, and shows him the misery and squalor of a world which he has never known. The starving women and children, the kitchens of Hell where whiskey ruins the lives of men, impresses Philip deeply. He sees his real mission in life. He must help the downtrodden. Sarah, Philip's wife, wrapped in her social ambition, is horrified when Philip announces his determination. She refuses to permit her little daughter, Irma, to play with an orphaned child of the slums, whom Philip has brought home to shelter. She pleads with Philip to give up his new work. It means ruin and social ostracism. She scolds and bursts into a rage of fury, but Philip is firm. Goaded on by her mother, who pictures the disgrace of Philip's close association with the slums, Sarah leaves the home, taking Irma with her. Time finds Philip living in the slums, immersed in his work. Fighting the battle of the downtrodden, he arouses the hate of powerful forces. The rich of his congregation, owning the properties which house saloons, and the owners of these saloons, combine to bring about his downfall. Undaunted by threats of personal harm, he wages his war. Cheered by Brother Man in the moments when things seem most hopeless, he fights his battle with new energy. His friends gone, his little daughter dead, the wife whom he loves opposing him, he fights on. Scenting an opportunity to discredit him, the interests cause Sarah to believe that Loreen, a consumptive derelict, whom he has redeemed and sheltered in his home, is his mistress. The story is disproved and Sarah relents, but too late. The body bearing the spirit of Philip is not equal to the task. Wrecked by worry and ill-health, he gives up his life and his soul passes to the One Whose work he has been doing, and like Whom he has been crucified.