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Extravagance Synopsis

Extravagance has always marked the lives of Norma Russell and her father, Courtland Russell. As a consequence, debt overtakes them, and Russell is forced to borrow a large sum of money from Howard Dundore, the banker. Even this hint of coming trouble does not cause them to economize, and soon Russell has to ask Dundore for an extension of his note. This the banker refuses to do unless the note is accompanied by the signature of a depositor of the bank. Russell forges the name of Robert Mackay, one of the bank's wealthiest depositors. Dundore knows the name is forged, but instructs his confidential man, Horace Scott, to pay the note and subtract it from his private account. He then accuses Russell, and to save her father from the consequences of his forgery Norma is obliged to consent to marry Dundore. She cables her lover, Franklin Hall, a businessman, who has gone to South America to look after a rubber investment, that she cannot marry him. Hall returns at once, pays back the amount of the note, thereby beggaring himself, and marries Norma. Dundore pretends to be friendly to the young couple, tells Hall he knows his investment has gone badly, and offers him a position in the bank, which Hall accepts. Dundore then seizes the opportunity to have Hall's accounts falsified in order to make it appear that he has stolen large sums of money. He continues to call at the Hall's home, and on one occasion makes love to Norma. Hall comes in unexpectedly, the men come to blows, and Dundore accuses Hall of having taken money from the bank. He is arrested, brought to trial and sentenced to five years' imprisonment. The only man who could have testified in his behalf, Horace Scott, has been given money by Dundore, with orders to leave the city. Norma feels that her husband's trouble is a judgment upon herself for her extravagance, since he has always gratified her every wish. Left without means by his imprisonment she turns her talents to scenario writing, at which she is immensely successful. Her father, who has been ousted from his clubs for non-payment of dues, and who lives in a little apartment with his daughter, secures work as a motion picture actor. One evening when they are returning from the studio in the motor car of the director, they see an old man run down by another car. Norma takes the injured man home. When he regains consciousness days later his mind is a blank. During his ravings Norma gleans enough to suspect that he has knowledge of her husband's supposed crime, and tries in every way to bring back his memory. All efforts fail. She takes him to the prison to see her husband, and Hall recognizes him as Scott, but he does not recognize the husband. Norma decides upon an idea, and with the aid of her director carries it out. She writes a scenario embodying the facts in the case of her husband's false accusation, and has it acted for the screen. Then she invites Dundore to see her latest picture at a special showing, and has Scott present. The picture is called "The Banker." As its action progresses there is a shout from the auditorium. Scott jumps to his feet wildly exclaiming: "That's the way he did it; Hall was not to blame. Dundore made me do it." In the ensuing excitement Dundore escapes. He hurries to the railroad station, engages a special and leaves the city, but fate follows him, and he is killed when his engine crashes into a line of "dead" freight cars. Hall is released on the testimony of Scott, whose memory has been brought back by Norma's plan, and Norma and her husband begin life happily once more, both she and her lather having learned a bitter lesson on the folly of extravagance.

More Truth Than Poetry Synopsis

When Vera, the daughter of steel king Daniel Maitland, marries Blair, a young lawyer, her father cuts her off with only a small allowance. A few months later, Blair becomes famous by securing the acquittal of one of his friends who had killed his wife's lover, basing his plea on "the unwritten law." He then succumbs to the fascination of another woman. Vera discovers them in a compromising situation and shoots Blair. At her trial, her lawyer is pleading for mercy when Vera explains that she does not want mercy, but justice. She asks if there is one law for a woman and another for a man and explains that she shot her husband because he betrayed her trust. At that moment, it is revealed that the whole episode is being composed by novelist Elaine Esmond, who interrupts her story to go to the opera with her sweetheart.