Film vs Film
Select two cult films to compare side by side.
I Love You Synopsis
Felice, a peasant girl who lives near Florence, Italy, is so beautiful that the villagers call her the "Passion Flower." Jules Mardon, a French artist traveling in Italy for his health, paints Felice, winning her love in the process. Upon the portrait's completion, however, he abandons Felice and returns to Paris, where the painting earns him wealth and fame. Millionaire Armand de Gautier falls in love with Felice's image, buys the portrait, and then seeks out and marries the model. Several years after the birth of the happy couple's child, Armand commissions Jules to paint his wife and son, whereupon the artist again tries to seduce her. When Felice learns that Armand, assuming she has abandoned her plague-stricken child to be with Jules, wants no more to do with her, she kisses her son and then, with the disease on her lips, searches for Jules and kisses him. The artist dies, but Felice and her son survive to be reunited with Armand.
The Edge of the Abyss Synopsis
Alma Clayton is a butterfly type of girl. She is being wooed by a gilded youth, Neil Webster, whom she likes to a degree. At a public banquet Alma becomes acquainted with Wayne Burrous, a brilliant criminal lawyer, and won by the man's eloquence, she casts Neil aside and eventually marries Wayne. Her husband's strict attention to business piques her, and it results in Wayne leaving her use of their large mansion while he takes up his residence in the club. Alma, while out shopping with a friend, meets Neil, who tells her that his love for her is gone. At home she calls him by telephone. He arrives at Alma's home, and informs her that what he said about his love for her is not true, and that he is actuated by the desire of revenging himself on Wayne for winning her away from him. She is undetermined whether to elope with him or not. Meanwhile Jim Sims, a burglar, breaks into Wayne's room. After taking a number of gold and silver pieces his eye fixes on a portrait of Wayne. He recognizes it as representing the lawyer who had once saved him from jail, although Sims was penniless: He carefully replaces the articles from his sack to the dresser and is about to leave empty-handed on account of respect for his benefactor when he hears the excited conversation of Alma and Neil. He steals down the stairs and suddenly confronts them just as Alma is about to yield and go away with Neil. At the point of his gun he makes Neil sit quietly, while Alma is compelled to tie him with a rope to his chair. Then Sims makes the woman go upstairs to Wayne's room, where he shows her the picture of her husband and tells her of his saving Sims from jail. The burglar insists that such a man could not be the brute that she thinks him. He is so forceful in the presentation of the claims of Wayne and of the penalty that she would have to pay if she should break the laws of society that the woman is won over. Then Neil manages to drag himself, still securely bound to the chair, over to a telephone. He gets the receiver off the hook with his teeth and calls the police. On their arrival Neil is released. Alma hides the burglar and tells the officers that the burglar escaped through a window. When they are gone she rejects Neil. Neil goes out the back door, is mistaken for the burglar and is badly beaten up by an officer. Alma gives the burglar the picture of her husband as a souvenir of gratitude for his aid in setting her right. She then calls up her husband, and on his return there is a happy reconciliation.
"I Love You" holds a slight edge in general audience appreciation, but "The Edge of the Abyss" offers its own unique cult appeal.
Suggested Watch:
I Love You