Film vs Film
Select two cult films to compare side by side.
One in a Million Synopsis
A typical mid-30s entry from the Maury M. Cohen Invincible arm of Chesterfield Pictures, shot in the usual static style of Frank R. Strayer who moved the camera maybe twice for a medium close-up, probably under orders not to from producer Cohen who knew moving the camera cost time and money. This one has good-girl Dorothy Brooks being summoned to the apartment of her department store boss, Mr. Dickman, who accuses her of stealing lingerie from the store, but if she will be nice and kiss him, he won't turn her in. She shoves him away and he tumbles (off-camera, of course) out of the second story window. Dorothy flees with the aid of her friend, Kitty Kennedy, and she soon encounters Donald Cabot, Jr. who, unknown to her, is the son of the department store owner. He, of course, also doesn't know she is an employee of his father's store wanted for assault and theft. No surprises from this point to the happy ending. Dickman, the cad, naturally turns out to be the lingerie thief.
Into the Light Synopsis
A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.
"One in a Million" holds a slight edge in general audience appreciation, but "Into the Light" offers its own unique cult appeal.
Suggested Watch:
One in a MillionBoth films share