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Vanity Synopsis

Robert Armstrong, falsely accused of a murder committed thirty years ago in a western gambling hall, faces the alternative of imprisonment or paying blackmail. A letter from Tom Mason, formerly a miner, prepares him for a visit, at which time he must make his choice. Armstrong confides in his son, Dick, assuring him that the murder was committed by Mason, who used trickery to make it seem that he (Armstrong) was the culprit. Dick broods over the injustice to his father, and Armstrong cannot conceal his nervousness. The visitor comes and makes his demands. Armstrong grapples with him as the lights are turned off. Suddenly there is a shot, and when the lights are turned on again Mason is lying dead on the floor. Fearing the servants will enter, Dick drags the body through a window to the grounds outside, takes Mason's pistol out of his pocket, fires a shot into the body and places the weapon in the dead man's hand. Dick returns to the house and a policeman hurries to the scene. Dick thinks he has covered up his tracks, but Burke, chief of detectives finds the other bullet in the body and has no difficulty in connecting the murder with the Armstrong family. He does not succeed in getting a confession from either father or son, and decides to resort to strategy. Phyllis Lord is a model in Martel's establishment for women's apparel. The discrepancy between the gowns she wears to display to customers and her own modest raiment eats into the girl's consciousness. Then, too, she is befriending Bessie Allen, a young wife who has been deserted by her husband, and finds herself unable to help Bessie as she would like. A wealthy woman who is buying gowns boasts of having won five hundred dollars at Crandell's, a fashionable gambling resort, on a five dollar wager. Phyllis obtains a card of admission to Crandell's, without permission borrows one of Martel's gowns, and visits the gambling house. She loses the money she has brought and fifty dollars more which Crandell loans her. Burke, who has been watching the girl, has Phyllis dismissed from Martel's, making it appear that she has stolen money, and she is placed in such a position that she is obliged to accept Burke's offer to help him with a case. She consents to get a confession from Dick Armstrong. She is installed in a handsome apartment and given beautiful clothes. Bessie Allen, who is ill, is taken to a hospital. Burke puts a dictaphone into Phyllis's apartment. The pre-arranged courtship progresses favorably. Dick finds the trick Phyllis has played and denounces her. Phyllis is heartbroken, and anxious to atone for what she has done. She goes to Dick's father, and Armstrong, greatly agitated, writes a confession saying that he alone shot Mason. At police headquarters Dick is put through the third degree, and finally he gasps, "I did it." Phyllis, in the next room, hears him, and rushes in with Armstrong's confession. Burke's lieutenant makes out a warrant for his arrest. Phyllis goes home, exhausted, when a messenger brings a letter from Bessie, written just before her death. The letter encloses her marriage certificate, and photograph of the husband who deserted her. Phyllis rushes to the minister who performed the ceremony, and takes him to Burke's office. It is Burke who is Bessie's husband, and as he has illegally married another woman, Phyllis threatens him with arrest on a charge of bigamy. She offers to exchange her documents for Armstrong's confession, and Burke accepts. Then Phyllis falls sobbing into a chair, holding out her hands in supplication to Dick.

The Outcast Synopsis

Mae is a girl of the slums. Her antecedents are unknown. She works as a dancing girl around a rough dive where her sweetheart Bob is a waiter. Graves, a cheap sport, takes a fancy to Mae and asks the bartender who she is. The bartender tells him that nobody knows where she came from. When Graves becomes fresh with Mae, Bob warns him off. On their day off, Bob and Mae go walking in the park. They see young couples with their babies and long for a decent married existence. Judge Lewis, in his courtroom, is sternly sentencing a criminal who is pleading for mercy. A second judge enters the room and is invited to the bench as a matter of courtesy. He whispers to Judge Lewis in favor of the criminal, but Lewis is firm and sends the prisoner away condemned to the limit. Court adjourns and the two judges depart. They go down the courthouse steps and walk away to the park, where they see Bob and Mae. The second judge recognizes Bob and stops him. The judge asks him questions and Bob replies that he is behaving himself. Bob is eager to get away. Alone with Mae, Bob explains that the judge is the one that paroled him after his last fight. Back at work in the dive. Graves becomes offensive to Mae. He follows her to her room and is followed by Bob. A fight occurs in which Mae shoots Graves. Bob disappears, fearing the result of his parole if he should not obey the judge. Mae is to be tried before Judge Lewis. She is assigned a young attorney to defend her. The attorney sees her in her cell and gets her story. He can find no trace of Bob, who, however, keeps himself posted in hiding. The young attorney has secured from Mae, however, a locket given to her by her dead mother when she was a little child. The locket has a photo of her mother with the address of a photographer in a country town. The attorney visits the town, finds the old photographer, and is directed to Old Man Aitken as one who can tell about the woman of the photo. Aitken shows great emotion when he sees the photo, and on being told of Mae's coming trial before Lewis, shows great eagerness to go with the attorney. The trial is commenced, and the attorney admits the killing, but pleads self-defense and the girl's irresponsibility. He places her on the stand, and she tells her story. The judge is cold and relentless. She is asked on cross examination, "Where is this man Bob?" She doesn't know. Bob, however, has crept into the back of the courtroom. He presents himself and is examined. He corroborates Mae, but the judge, recognizing him as the boy of the park, discredits his testimony by asking him, "Are you not a paroled prisoner?" Bob admits it, and the effect on the jury is obvious. Mae is found guilty, with a recommendation for mercy. On being brought up for sentence, the attorney calls Aitken to prove the girl's irresponsibility. The prosecuting attorney jumps to his feet and objects. The judge is about to rule out Aitken's testimony, when Mae's attorney interposes, "It will not be necessary to mention the name of the father of this defendant, but I will ask the witness to identify this photograph as the girl's mother." The portrait of the locket is passed to the judge. He conceals his emotion with difficulty. Mae's attorney proceeds, "I will prove by this witness that the defendant's birth and early life are responsible." Aitken then tells his story, fading back to Mary Alden and Lewis, their love, the locket, Lewis' desertion to follow his career, sending her a letter telling her of his decision, the baby's birth, and the disappearance of mother and child. After the story the judge faints, court is adjourned, and the judge is carried out. The next day another judge is on the bench: he who had paroled Bob. He suspends sentence on Mae and she and Bob go away free. Judge Lewis is convalescent at his home in the country. Aitken brings Mae and Bob to him and he expresses his interest in them and determination to devote his life to his daughter.