6.1/10
Senior Film Conservator

A definitive 6.1/10 rating for a film that redefined the boundaries of cult cinema. Clive of India remains a cornerstone of transgressive art.
Honestly, only if you have a weird obsession with 1930s costume dramas or you’re a massive Ronald Colman fan. If you want something that feels alive or has a pulse, look elsewhere. People who hate stuffy, slow-moving historical biographies will probably want to turn this off after about fifteen minutes.
Ronald Colman is doing that thing where he looks very intense while staring off into the distance, trying to sell the idea that a clerk can just suddenly become a military mastermind. It’s a bit of a stretch, even for the thirties. He has that voice, though. You know the one. It makes everything sound like it’s being read from a dusty textbook.
It’s awkward. They try to frame his actions as some kind of noble sacrifice, but watching a British guy treat an entire subcontinent like his personal chessboard hasn't aged well at all. It feels like a history lesson from a teacher who skipped all the parts that actually mattered. It reminds me a bit of the dated, clunky storytelling you find in Old San Francisco where everything is just a bit too convenient.
There’s a moment where Clive is arguing with his rivals, and the tension is supposed to be palpable, but it just feels like two people waiting for their turn to say their lines. It lacks that raw, messy humanity you find in something like Isn't Life Wonderful. Here, everything is polished to a shine until it’s invisible.
I found myself staring at the background extras more than the main plot. Some of them look like they’d rather be anywhere else. Can you blame them? Standing in full period regalia in the heat for a movie that doesn't really have a point is a tough gig.
It’s not a *bad* movie, per se. It’s just very, very tired. It moves at the speed of a snail walking through molasses. If you watch it, maybe keep a book handy or fold some laundry. You won't miss much if you glance away for ten minutes to see what the cat is doing. 🐈
Maybe it’s just me, but I’ve seen better period work in stuff like The Branding Iron, even with all the limitations of that era. This one feels like it’s trying so hard to be important that it forgets to be interesting. It’s all ego and very little soul.

IMDb —
1924
Community
Log in to comment.