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The Defeat of the City Synopsis

Robert Walmsley, at the end of six years in the city, has won fortune, fame, and Alice Van Der Pool, a "daughter of the old burghers, high and cool and white and inaccessible." So Robert feels that he has achieved the ultimate end of success and happiness. Alice finds a letter written to Robert by his mother, a letter straight from home, full of farm lore and gossip. She prevails upon Robert to take her for a visit to the farm. Robert is dismayed at the prospect, fearing Alicia will be shocked at the crudeness of his rural atavism. There his wife sits silent and immovable while Robert cuts ridiculous capers. Alicia presently ascends to her room. Robert, suddenly feeling that he is disgraced in her eves, and that he has been unmasked by his own actions and that "all the polish, the poise, the form that the city has given him has fallen from him like an ill-fitting mantle at the first breath of a country breeze," grows quiet. Presently he follows Alicia upstairs, prepared to meet his fate. He knew the rigid lines that a Van Der Pool would draw She is standing at the window, in the twilight. Robert silently takes his place beside her. "Robert," said the cool, calm voice of his judge, "I thought I married a gentleman," Alicia steps closer to Robert. "But," she continues, "I find that I have married something better, a man. Bob, dear, kiss me, won't you?"

A Night in New Arabia Synopsis

Jacob Spraggins, veteran general of a breaker-boy-to-multi-millionaire campaign, is driven by a troublesome conscience into the ranks of the amateur Haroun al Raschids, who infest Bagdad-on-the-Subway. Donations to hospitals, charities and universities fail to bring him happiness. At last he traces his uneasiness to a piece of legitimate business whereby he swindled one McLeod out of property worth ten thousand dollars. Detectives find the grandson of McLeod, a delivery youth for a large provision store. To him old man Spraggins hands ten thousand dollars in bills. Impressed by the young man's insouciant independence, the money monarch makes further advances, even hints at the possibility of matrimony between McLeod and his daughter, Celia. But Thomas McLeod is already engaged to a parlor maid at a house on his round. Neither he nor Spraggins has any idea that the parlor maid is Celia, who has fallen in love with Thomas's whistling. She whistles, and the accomplishment has helped her from the social life of her father's financial class. Aided and abetted by Annette McCorkle, the romantic housemaid, Celia has donned cap and apron and set out to be loved for herself alone. She has succeeded. So the ten thousand dollar benefaction, having brought peace to the soul of the Caliph, proceeds to bring happiness to McLeod and Celia as well, for their financial way to elopement is now clear, and they go. Mr. Spraggins gives chase, but, recognizing the prospective bridegroom, adds his blessing. It would seem so far that this one benefaction had failed to harm the Caliph-ridden populace of New Arabia. However, a year later old Jacob Spraggins orders all his donations to charities canceled. The working girls can continue to work for all he cares. The sun must shine on the Sunshine Fund without the aid of his money. Celia has a child. The child, Jakey, must have an unprecedented fortune by the time he attains twenty-one. So Mr. Spraggins raises the price of all vinegar three cents. Moving Picture World, November 3, 1917