If you're looking for a dark, gritty thriller, stay far away. Frühlingsstimmen is for the crowd that wants to pretend they're sitting in a crowded cafe in 1934, nursing a coffee while the world hasn't quite gone to hell yet. If you hate stagey acting and musical numbers that stop the plot dead in its tracks, you’ll pro...
Comparing the cinematic DNA and archive impact of two defining moments in cult history.
Pál Fejös
Pál Fejös
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"If you're looking for a dark, gritty thriller, stay far away. Frühlingsstimmen is for the crowd that wants to pretend they're sitting in a crowded cafe in 1934, nursing a coffee while the world hasn't quite gone to hell yet. If you hate stagey acting and musical numbers that stop the plot dead in its tracks, you’ll probably find this pretty unbearable. Adele Kern is clearly the anchor here, and watching her hit those high notes is honestly the only reason to stay awake through some of the, uh, ..."
Richard Arvay, Otto Ewing, Fritz Rau
Austria
