If you’re someone who thinks film started after, say, 1960, you can probably just skip Hoheit tanzt Walzer. Seriously, it's not going to be your thing. But if you’ve got a real soft spot for those old European operetta films, the kind that feel like a grand stage play brought to the screen with a bit of sparkle, then y...
Comparing the cinematic DNA and archive impact of two defining moments in cult history.
Max Neufeld
Lloyd Ingraham
Community
Log in to comment.
"If you’re someone who thinks film started after, say, 1960, you can probably just skip Hoheit tanzt Walzer. Seriously, it's not going to be your thing. But if you’ve got a real soft spot for those old European operetta films, the kind that feel like a grand stage play brought to the screen with a bit of sparkle, then yeah, give it a go. It's not a masterpiece, no, but it’s got a certain *something* that just works if you're in the right mood. It tells a story you've heard before: a princess, or..."
Alfred Grünwald, Julius Brammer, Max Neufeld
Slovakia
Deep dive into the cult classic
Discover similar cinematic experiences
A Directorial Spotlight on Max Neufeld
