
A French chanteuse, fleeing her wedding, loses her money at the gambling tables.But a man who is a musical composer may be able to help her.


Is it worth your time? If you have a thing for black-and-white melodrama or want to see what 1930s European cinema felt like before everything went to hell, then sure, give it a go. But if you’re looking for a tight, modern script that doesn't waste a second, you’re going to be annoyed by how slowly this thing breathes...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Josef von Báky

Charley Chase
Community
Log in to comment.
"Is it worth your time? If you have a thing for black-and-white melodrama or want to see what 1930s European cinema felt like before everything went to hell, then sure, give it a go. But if you’re looking for a tight, modern script that doesn't waste a second, you’re going to be annoyed by how slowly this thing breathes. It’s for the patient, or the people who just like the *aesthetic* of old films. The whole premise of a runaway bride losing her cash in a casino is classic stuff, but the way it..."
Ernst Legal
Karl Peter Gillmann
Germany
1920 · IMDb 8.4
Henry Edwards

