Cult Review
Senior Film Conservator

Honestly, you’ll probably know within the first ten minutes if you’re going to tolerate it or just shut the tab. It’s for the folks who love those vintage, dialogue-heavy dramas where everyone is constantly offended by something. If you hate characters who refuse to just talk to each other to solve a problem, you are going to absolutely lose your mind.
Joey Ray is doing a lot of heavy lifting here. Sometimes he looks like he’s actually worried about the plot, and other times he looks like he’s just trying to remember where he parked his car. It’s kind of endearing in a weird, messy way. 🎭
It’s nowhere near as polished as something like All the Brothers Were Valiant, but it has a different kind of energy. It feels like a rough draft that somehow ended up on screen. I don't mean that as an insult, necessarily. Sometimes the rough stuff is more honest than the shiny, expensive stuff.
There is a scene near the middle where they argue about a letter. It goes on for about three minutes too long. You can literally see the actors waiting for their turn to jump back in. It’s awkward, but it’s real.
If you're a fan of the era, it's a decent curiosity. It reminded me a bit of the pacing in Rough Dried, though this one has way less charm to spare. It's just... there. It exists. It takes up space.
I wouldn't call it a masterpiece. I wouldn't even call it 'good' in the traditional sense. But it didn't put me to sleep, which is more than I can say for most movies I’ve watched lately. Just don't go in expecting a life-changing experience and you'll be fine. Maybe bring a snack. 🍿
Year
1935
IMDb Rating
—

Editorial
Deciphering the legacy of transgressive cult cinema.
Community
Log in to comment.