5.9/10
Senior Film Conservator
A definitive 5.9/10 rating for a film that redefined the boundaries of cult cinema. Jack of All Trades remains a cornerstone of transgressive art.
Jack Hulbert is the whole show here. He’s got this elastic face that he uses to express confusion, panic, and glee in about three seconds. It’s a bit much, honestly, but you can’t say he isn't committed. He plays a guy trying to push an invention, but the plot is really just an excuse for him to run through offices and make funny faces at people who are trying to be serious.
The pacing is fast, maybe a bit too fast. Sometimes I felt like I missed a joke because someone talked over the punchline. It’s not exactly Polonia Restituta in terms of gravity, but it doesn't try to be. It just wants to get to the next gag.
It’s funny how these old movies treat big business as a playground for idiots. There's a certain charm to it, even if it's not actually clever. It reminds me a bit of the frantic pacing in Love at First Fight, though obviously in a very different setting.
Is it a masterpiece? Hardly. But there’s something nice about a movie that knows exactly what it is and doesn't try to lecture you. It’s just a bit of fluff. Sometimes that’s enough.
The cinematography is… well, it’s there. You can see everything. The sets look like sets. It’s not trying to be a deep, visual experience like The Trail of '98, and that’s probably for the best. It’s a stage play trapped in a camera.
I caught myself checking my phone about halfway through, then realized I’d missed a whole plot point about some contract. Honestly? Didn't matter. You know exactly how it ends within the first ten minutes. It’s all about the ride, not the destination. 🎩
