5.9/10
Senior Film Conservator

A definitive 5.9/10 rating for a film that redefined the boundaries of cult cinema. Lariats and Six-Shooters remains a cornerstone of transgressive art.
Alright, so, "Lariats and Six-Shooters." Is it worth digging up today? Well, if you’re a fan of those old, dusty Westerns where the good guy is *really* good and the bad guys are *really* bad, then yeah, probably. It’s a solid pick for a quiet afternoon.
Anyone expecting flashy modern action or deep character studies will probably find it a bit slow. But for folks who like seeing how movies used to do things, or just appreciate a classic cowboy chase, it’s got its charm. Think of it as a nice little peek into film history.
Jack Perrin plays our deputy, and he’s got that classic, square-jawed hero thing going on. He’s all about justice, and you can tell he really means business when he’s after those jewel smugglers. Sometimes he just stares, and you know exactly what he’s thinking. Very serious business.
The whole premise kicks off with him chasing down a gang, forcing them to drop their precious jewels. **Big mistake**, obviously. You don't just leave bad guys without their shiny things and expect them to be chill about it. They swear revenge, and boy, do they stick to it.
There’s this one sequence where the gang is trying to get away, and the camera just *sticks* to them. It’s like, a really long shot of horses galloping across the desert. You can almost feel the director saying, "No, seriously, watch them ride!" It’s a bit much, but also kind of mesmerizing in its own way.
And Starlight the Horse? Can we just talk about Starlight? That horse is a superstar. Seriously, it's always perfectly placed, always looks majestic. *Definitely* a scene-stealer, probably should have gotten its own credit closer to the top.
Once the revenge plot gets going, it’s actually pretty straightforward. No big twists, just these guys really wanting to get back at the deputy. Art Mix, who plays one of the villains, has this great sneer. You just know he’s trouble.
There’s a particular shootout near a rocky outcrop that feels pretty intense for its time. Lots of guys ducking behind rocks, firing off their six-shooters. The dust clouds are a nice touch, adding to the whole chaos.
Pacing-wise, it does feel a little uneven here and there. Some scenes linger a bit too long on a landscape, then suddenly we're in a frantic chase. It’s not jarring, just… noticeable. Like someone edited it on a Monday morning.
And you know, there’s this one part where our deputy is trying to figure out where the bad guys went, and he just keeps looking around. He just keeps looking. For a good twenty seconds. You can almost hear him thinking, "Now, where would *I* go if I were a jewel thief?"
The dialogue, what little there is if it’s an early talkie, or implied if it's silent, is pretty much what you'd expect. "You won't get away with this!" and "I'll get you for this!" You know the drill. No surprises, but it gets the job done.
One small detail I liked: the way the sunlight hits the dust in some of the outdoor shots. It gives everything this really authentic, gritty feel. They really captured that dry, desert atmosphere.
So yeah, "Lariats and Six-Shooters" isn't going to redefine cinema, but it’s a perfectly enjoyable old Western. It's got heart, horses, and plenty of six-shooter action. A fun watch for when you want something a little different from the usual.

IMDb 5.8
1924
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