Cult Review
Senior Film Conservator

If you have a soft spot for pre-Code scrappiness, sure. If you need a movie to actually make sense or have a coherent ending, maybe skip it. It is the kind of film that feels like it was written on the back of a cocktail napkin and shot in a single weekend.
The whole thing is basically a chase, but nobody is ever actually being chased. It is just three women—June MacCloy, Gertrude Short, and Marion Shilling—constantly looking over their shoulders. They owe rent. They don't have jobs. They have that specific 1930s manic energy where people talk way too fast and wave their arms around for no reason.
I found myself wondering if they ever actually eat in this movie. They spend so much time darting in and out of doorways that you’d think they were professional sprinters. It reminded me a bit of the frantic pacing in Meet My Girl, where the plot is just an excuse to see who can yell the loudest.
The movie doesn't really care if you follow the logic of their job search. One minute they are looking for work in an office, the next they are just wandering down a hallway looking lost. It feels less like a narrative and more like a series of sketches that were glued together by someone who was running out of film stock.
It’s not as polished as Secret Service, but that is kind of the point. It is dirty, it is loud, and it is entirely disposable. Sometimes that is exactly what I want on a Tuesday night.
I don't think I'll remember the plot by tomorrow morning. But I will remember the look on their faces when they realized the landlord was right behind them again. It was pure, unadulterated panic. 🏃♀️💨
Year
1932
IMDb Rating
—

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