Cult Review
Senior Film Conservator

If you have a soft spot for the kind of frantic, punchy humor that barely lasted ten minutes in the silent era, maybe. But if you’re looking for a plot that moves beyond a single office room, you’re gonna have a bad time.
It’s a bizarre little artifact. It feels less like a movie and more like someone filmed a sketch they forgot to edit.
The whole thing hinges on these three women just bulldozing their way into the manager’s life. It’s loud, it’s pushy, and it’s honestly kind of impressive how little space they give the poor guy to breathe.
Walter Catlett does that thing he does—looking constantly flustered while everyone else yells over him. It reminded me a bit of the frantic energy in On the Level, but way more confined. The comedy is purely about volume and repetition.
It’s not trying to be high art. It’s a snapshot of a time when 'funny' meant wearing a ridiculous hat and shouting at a bureaucrat. Sometimes that’s enough, I guess. 🎩
The pacing is… well, it’s not paced. It just starts, stays at maximum intensity for the whole runtime, and then cuts to black. Like it was running out of film stock and just gave up.
It’s definitely not for everyone. If you hate theater-based comedy or silent film tropes, stay away. It’s dusty. But if you want to see someone get bullied by three club-wielding enthusiasts, you’ll find something to chuckle at.
It’s certainly more focused than the scattered energy of Screen Snapshots, Series 10, No. 3, though that isn't saying much. Just a weird, brief, loud moment in time.
1934
IMDb Rating
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