Cinematic Discoveries Following the Footsteps of The School for Scandal: Cult Guide

Dir: Kenean Buel

Little Jane and Katherine approve of the romance of Miss Ashton, their rich and beautiful aunt, with Jack Fenton, but when she becomes distracted by the debonair Percival Gilpatrick, whom the children detest, they decide to intervene. After the children interrupt his attempted marriage proposals several times, Percival, actually a crook, orders his accomplices, Mike and Bill, to keep the girls occupied. Annoyed that Percival would rather court Miss Ashton than rob the bank, however, Mike and Bill decide to kidnap the children and hold them for ransom. Imprisoned in a cellar, Jane and Katherine torment the two men with their pranks until the crooks willingly release them, but Percival stages a rescue that, much to the girls' dismay, impresses Miss Ashton. Later Percival and his men rob the bank, but the youngsters aid the police in catching them. Miss Ashton then happily agrees to marry Jack.

Dir: Kenean Buel

Therese Roger is the daughter of a West Indian planter. When she is a baby her parents are murdered and she is adopted by her aunt, Madame Roger, keeper of a haberdashery shop in one of the smaller villages in southern France. She grows up with Madame Roger's son Camille, a sickly, sexless creature she ultimately marries in deference to her aunt's wishes. The monotony of Therese's married life tells on her. The uninteresting Camille each day drones out his existence in an office. At night he returns ever at the same hour, ever in the same enfeebled health and depressed spirits. Two neighbors, Dr. Gribet and Michaud, the prefect of police, drop into the Roger household for their weekly game of dominoes with Madame Roger. Suzanna, daughter of Dr. Grivet and Oliver, son of Michaud, who are in love, call frequently on the aged Madame Roger to pay their respects. Therese, full of youth and life, tires of her environment and its unchanging cycle of events. Camille collapses one day at the office and is brought home by his friend Laurant, Camille's opposite. When Laurant meets Therese, they are attracted to each other, and when he becomes a frequent visitor, a liaison develops between them. Seeing Camille as the only obstacle to their happiness, the two evil lovers decide to kill him. When the opportunity arises, they drown him. They manage to escape suspicion from the murdered man's mother and in course of time marry with the old woman's consent. But they have not attained the happiness which they thought would be theirs with Camille out of the way, for their crime haunts them. It shows in their faces. It stalks through their home. It leads them into quarreling with each other. During one of their stormy scenes they are overheard by Madame Roger, who becomes stricken with paralysis and the total loss of speech upon learning how her son died. The helpless old mother gloats over the torture which Therese and Laurant suffer from their consciences. In time, when guests are present, she tries to write her accusation of them upon the tablecloth with the edge of a domino, but her fingers cannot complete the sentence. She sees distrust continue to grow between the unhappy pair. Therese and Laurant plan to kill each other, but both are too-great cowards to add a new crime to their records, and they drink poison together, paying at last with their own lives for their earlier crime.

Dir: Kenean Buel

Drinking pals Fred Peyton and John Browning are both members of high society. Upon meeting impoverished Margaret Fallon, Peyton is so impressed with her beauty that he becomes a frequent visitor at the Fallon house. One evening, while returning from dinner, an explosion overturns their automobile and Margaret is temporarily blinded. Meanwhile, Browning has become engaged to a wealthy woman whom Peyton covets for her wealth and Margaret's blindness provides the opportunity for him to obtain this prize. Stealing his friend's wedding license, Peyton substitutes Margaret's name for that of Browning's intended bride and after intoxicating his friend, Peyton sends for Margaret and marries her to Browning. The next day, Peyton lies to his friend that he had drunkenly insisted upon the marriage. Later, when Margaret's eyesight is restored and she is seeking employment, she meets Browning and the two fall in love, unaware that they are husband and wife. Eventually, Browning learns that the woman from whom he is seeking a divorce is actually the woman he loves and, after Peyton is shot by a former mistress, all ends happily.

Dir: Kenean Buel

A fascinating piece of cinema that shares thematic elements.

Dir: Kenean Buel

Billy Martin is sent to New York to put through a war contract for his father, a new England manufacturer, and takes $100,000 as a security. The munition broker's secretary, a crook, tells Graham, a gambling house keeper, of Billy's coming. Miller is detailed to lure him to the gambling house. Miller, posing as the broker's representative, meets Billy and offers to show him New York life. He meets Zena and is so captivated that he consents to try his luck at the roulette wheel. After his first success he loses rapidly. At last Zena drags him away with only $15,000 left. Zena repentant, tries to comfort Billy. She finds he is determined to win back his losses and is captivated by his pluck. Reluctantly she takes him to the gambling house. Billy loses all. When the mail brings no word from Billy, his wife comes to New York. She enters his room just after he and Zena arrive. Zena hides in a closet. Billy refuses to return with his wife until he has recovered his father's money. Zeena returns to her apartment. Graham accuses her of double-crossing him. She orders him to leave. Zena sets out to recover Billy's money, and returns to the gambling house. Graham thinks she has repented. Martin comes to New York for Billy. Zena picks him out as the man from whom to get the money. She lures him to her den. Billy calls up, and when Zena recognizes his voice she hangs up. Suspecting Zena has deceived him Billy rushes to the apartment and finds her embracing his father. Zena rushes to him. Billy casts her off. Martin tells Billy he did this to show the treachery of Zena's love. Heaping abuse on Zena, who sees her one true love lost, Billy leaves with his father. Zena in remorse leaves her old home and life, a wreck. Billy asks his father's forgiveness. "I forgive you," says the old man, "but I can't forget that I trusted you."

Dir: Kenean Buel

Letters from the late mother of orphaned sisters Jane and Katherine seem to indicate that their father is Capt. Bob Dutton. Under orders from his superior, Colonel Harding, to acknowledge the children or quit the service, Dutton accepts responsibility for them. Shocked by his presumably checkered past, Cecile Harding, Dutton's fiancée and the colonel's daughter, breaks their engagement. One evening Jane surprises Capt. Robert Duncan, Dutton's rival for Cecile, stealing Bob's papers. Subsequently shot, the dying Duncan reveals that he is an Austrian agent, as well as the father of Katherine and Jane, having eloped years earlier with Ethel Harding, the colonel's older daughter. The colonel assumes the care of Jane and Katherine, and Dutton and Cecile are reconciled.

Dir: Kenean Buel

The Hawaiian Princess Laone's love for Keith Parrish is thwarted by social pressure. After being persuaded to refuse Mr. Parrish's proposal, she attempts suicide.

Dir: Kenean Buel

Orphaned sisters Kate and Irene are separated as children, but each keeps half of their mother's wedding ring. Years later Irene marries John West, the head of a munitions camp. Kate happens to run the saloon in the camp, and she and Irene become friends but neither ever imagines that the other is her long-lost sister. Matters take a turn for the worse, however, when Kate starts a romance with Cliff, Irene's adoptive brother, and Irene strongly disapproves of the relationship.

Dir: Kenean Buel

Ethel Andrews is interested in settlement work. Her father refuses to cooperate with her. Ethel kidnaps her five-year-old brother Archie and places him in a tenement as an object lesson. To make the kidnapping appear the work of criminals, Ethel sends her a father a note demanding $10,000. Gangsters learn of the plan. Andrews engages Madelyn Mack, a girl detective, to find his son. Madelyn unearths several clues, among which are fragments of a tin soldier belonging to Archie. She strongly suspects Ethel of being implicated in the matter. Ethel, regretting her rash act, goes back to the tenement to bring Archie home. The gangsters capture them both, and send a note to Andrews telling him his son and daughter are prisoners. One of the gangsters shoots the note into the Andrews' library with a sling shot, just as Madelyn is telling the father of her suspicions concerning Ethel. The note upsets her theories. Madelyn discovers that the paper on which the gangsters' note is written has contained powdered Jasco berry, an Oriental drug used in cigarette form. Later, she succeeds in tracing Ethel and Archie to the tenement, but finds them gone. Passing a crowd collected on a corner, Madelyn scents the odor of Jasco berry and finds the man who is smoking it. She follows him and discovers the cottage in the suburbs where Ethel and Archie have been taken. She slips into the house and enters the room where the two are confined. Discovering a telephone wire outside the window, Madelyn taps the line with a pocket phone and summons assistance. She is discovered by the gangsters, who are just about to break into the room when the police arrive. A desperate battle ensues, which ends in the capture of the kidnappers. Andrews presents Madelyn with a check for $10,000 for her splendid work. The detective gives the check to Ethel for settlement use, but Andrews, returning the check, smilingly donates the money himself.

Dir: Kenean Buel

A fascinating piece of cinema that shares thematic elements.