Cinematic Discoveries Following the Footsteps of The School for Sca...

Dir: Kenean Buel

Letters from the late mother of orphaned sisters Jane and Katherine seem to indicate that their father is Capt. Bob Dutton. Under orders from his superior, Colonel Harding, to acknowledge the children or quit the service, Dutton accepts responsibility for them. Shocked by his presumably checkered past, Cecile Harding, Dutton's fiancée and the colonel's daughter, breaks their engagement. One evening Jane surprises Capt. Robert Duncan, Dutton's rival for Cecile, stealing Bob's papers. Subsequently shot, the dying Duncan reveals that he is an Austrian agent, as well as the father of Katherine and Jane, having eloped years earlier with Ethel Harding, the colonel's older daughter. The colonel assumes the care of Jane and Katherine, and Dutton and Cecile are reconciled.

Dir: Kenean Buel

A visual fragment from the archive: The thematic resonance of Daredevil Kate perfectly mirrors the editorial trajectory of our deep dive.

Orphaned sisters Kate and Irene are separated as children, but each keeps half of their mother's wedding ring. Years later Irene marries John West, the head of a munitions camp. Kate happens to run the saloon in the camp, and she and Irene become friends but neither ever imagines that the other is her long-lost sister. Matters take a turn for the worse, however, when Kate starts a romance with Cliff, Irene's adoptive brother, and Irene strongly disapproves of the relationship.

Dir: Kenean Buel

Young Margaret Walsh's husband dies while on a polar expedition. Grief-stricken, she consents to marry Morgan Delafield, a much-older man who is a close friend of her father. However, it's not long before she falls in love with Stephen Bond, a man who's actually younger than she is. While she tries to resist her feelings for Stephen to not endanger her marriage, gossip about the pair nevertheless begins to make the rounds, with unintended consequences for all concerned.

Dir: Kenean Buel

A visual fragment from the archive: The thematic resonance of Blazing Love perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Kenean Buel

Little Kate and Janie O'Dowd are sent to their wealthy American uncle, Michael O'Dowd, after their Irish father loses his life on a World War I battlefield. Having been locked accidentally into O'Dowd's munitions plant one evening, the children catch sight of their intoxicated cousin Miles O'Dowd admitting two men into the factory. The girls recognize the two as spies they had seen on the boat to America sending signals to a German submarine. After the spies knock Miles cold, the children trap them in a die-stamping machine until help arrives. Miles and factory worker Jerry Flynn, who loves young Patricia O'Dowd, enlist and are soon joined by Alfred Vanderspent, whose wealthy mother's plot to falsify his birth records is foiled by the children.

Dir: Kenean Buel

A visual fragment from the archive: The thematic resonance of Hypocrisy perfectly mirrors the editorial trajectory of our deep dive.

Little Jane and Katherine approve of the romance of Miss Ashton, their rich and beautiful aunt, with Jack Fenton, but when she becomes distracted by the debonair Percival Gilpatrick, whom the children detest, they decide to intervene. After the children interrupt his attempted marriage proposals several times, Percival, actually a crook, orders his accomplices, Mike and Bill, to keep the girls occupied. Annoyed that Percival would rather court Miss Ashton than rob the bank, however, Mike and Bill decide to kidnap the children and hold them for ransom. Imprisoned in a cellar, Jane and Katherine torment the two men with their pranks until the crooks willingly release them, but Percival stages a rescue that, much to the girls' dismay, impresses Miss Ashton. Later Percival and his men rob the bank, but the youngsters aid the police in catching them. Miss Ashton then happily agrees to marry Jack.

Dir: Kenean Buel

Jane and Katherine are the sweetest youngsters in the world--in their mother's eyes. The family is summering at a seaside resort when Mama is called to town for a week. Not wishing to interrupt her darlings' good time, she summons her young bachelor brother to the hotel to look after the girls until she returns. "Billy" Parke undertakes the job. On the way to the resort he meets Betty Murray. The two are bound for the same hotel and it's love at first sight. Billy would have enjoyed the bus ride from the station to the hotel with Betty if his nieces hadn't entered, recognized him, and made themselves at home on his lap after being drenched when they drove an electric wheelchair into the surf. He must neglect Betty on reaching the hotel to get the youngsters dry clothing and clean them up. Soon after her arrival at the hotel Betty and her father enter the dining room at the same time Billy and Katherine appear. Katherine had previously met Mr. Murray and introduces Uncle Billy to Mr. Murray and Betty. They are talking when Jane, who had been left in her room asleep, appears in an exceedingly brief costume on the trail of something to eat. Billy grabs her and bundles her back upstairs. Jane and Katherine keep the hotel in a turmoil. Every time Billy tries to advance his suit for Betty is an opportunity for a new escapade by the youngsters. On one of her trips about the resort Katherine comes upon Bob Murray, the son of Mr. Murray, whose father cast him out for forging a check. Bob is in a bad way when Katherine finds him, and her motherly attentions awaken his deadened manliness and he promises her he'll go straight and earn his father's forgiveness. Meanwhile, Mr. Murray confides in Katherine his great sorrow and she asks him why he doesn't ask his prodigal son to return, to which the elderly man replies that he would if he could find him. Katherine promises to help him. A few nights later two crooks with whom Bob was connected plan to rob the Murray apartment in the hotel. Bob, though not knowing his pals were planning to rob his father, tries to quit the job, but is finally prevailed upon to undertake it. The first thing the boy's flashlight hits on entering the apartment is a picture of his dead mother. He refuses to go farther and telephones to the hotel desk asking for help just as one of the crooks fells him. The thieves flee from the room just as Mr. Murray enters and finds his son. They take refuge in Jane's room. Recognizing the men as crooks she slips from bed and hides in a bureau drawer. Uncle Billy enters, grapples with the men and is being overcome when Jane hits one of the robbers on the head with an iron. Billy soon quiets the other. The racket attracts Mr. Murray and hotel attendants, who arrest the crooks. After the excitement subsides Mr. Murray embraces his son and restores him to his estate. Billy and Betty withdraw and decide there is no blessedness in being single, and Jane and Katherine watch with mingled pleasure and surprise the outcome of the events in which they were small but important factors.

Dir: Kenean Buel

A visual fragment from the archive: The thematic resonance of Doing Their Bit perfectly mirrors the editorial trajectory of our deep dive.

Alice Lindsay arrives in New York from a small town and becomes part of Greenwich Village Bohemian life. Alice resists the advances of Gwenne Stevens, an advocate of free love, and marries civil engineer Samson Rathbone.

Dir: Kenean Buel

Billy Martin is sent to New York to put through a war contract for his father, a new England manufacturer, and takes $100,000 as a security. The munition broker's secretary, a crook, tells Graham, a gambling house keeper, of Billy's coming. Miller is detailed to lure him to the gambling house. Miller, posing as the broker's representative, meets Billy and offers to show him New York life. He meets Zena and is so captivated that he consents to try his luck at the roulette wheel. After his first success he loses rapidly. At last Zena drags him away with only $15,000 left. Zena repentant, tries to comfort Billy. She finds he is determined to win back his losses and is captivated by his pluck. Reluctantly she takes him to the gambling house. Billy loses all. When the mail brings no word from Billy, his wife comes to New York. She enters his room just after he and Zena arrive. Zena hides in a closet. Billy refuses to return with his wife until he has recovered his father's money. Zeena returns to her apartment. Graham accuses her of double-crossing him. She orders him to leave. Zena sets out to recover Billy's money, and returns to the gambling house. Graham thinks she has repented. Martin comes to New York for Billy. Zena picks him out as the man from whom to get the money. She lures him to her den. Billy calls up, and when Zena recognizes his voice she hangs up. Suspecting Zena has deceived him Billy rushes to the apartment and finds her embracing his father. Zena rushes to him. Billy casts her off. Martin tells Billy he did this to show the treachery of Zena's love. Heaping abuse on Zena, who sees her one true love lost, Billy leaves with his father. Zena in remorse leaves her old home and life, a wreck. Billy asks his father's forgiveness. "I forgive you," says the old man, "but I can't forget that I trusted you."

Dir: Kenean Buel

A fascinating piece of cinema that shares thematic elements.