Summary
In the claustrophobic sprawl of the early 20th-century metropolis, Alfred J. Goulding’s 'Apartment Wanted' navigates the precarious intersection of domesticity and desperation. Lee, portrayed with a frantic, rubber-faced tenacity by Lee Moran, finds himself ensnared in a bureaucratic and social nightmare: the refusal of landlords to accommodate the cacophony of childhood. The narrative pivots from a tragicomic search into a calculated infiltration when Lee assumes the mantle of a building’s janitor, transitioning from a victim of the housing crisis to an architect of suburban sabotage. His machinations—ranging from the biological warfare of a loose rodent to the scorched-earth policy of a manufactured fire—serve as a blistering critique of the era's exclusionary rental practices. The ultimate irony manifests in the confines of a modern penal colony; here, the family finally discovers the structural stability and modern amenities denied to them by the free market, only to be cruelly evicted back into the 'freedom' of homelessness upon the expiration of their sentence.
Synopsis
Lee manages to find plenty of apartments but none would take children. At last he gets a janitor's job so that he can make some of the tenants move. He tries to frighten them out with a mouse but his wife does not like the apartment. He then creates a lot of smoke and calls "fire." This brings them a good sized apartment but also lands them all in jail. The jail is fitted up with the latest improvements and they are just about beginning to enjoy their home when the horrid jailer appears and informs them that their time is up and they will have to get out.
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