Wealthy man Bob Harrison buys all theater seats to watch Mona Leslie's musical alone. He and her agent Ned Riley love her.


Is it worth your time? Honestly, only if you're a die-hard fan of Jean Harlow or you really want to see what 1930s Hollywood thought 'drama' looked like. If you get annoyed by rich men who think money is a personality trait, you're going to hate this one. It’s a bit of a slog, but Harlow is doing a lot of heavy lifting...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Victor Fleming

Edgar Jones
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"Is it worth your time? Honestly, only if you're a die-hard fan of Jean Harlow or you really want to see what 1930s Hollywood thought 'drama' looked like. If you get annoyed by rich men who think money is a personality trait, you're going to hate this one. It’s a bit of a slog, but Harlow is doing a lot of heavy lifting here. The whole premise starts with Bob Harrison, a guy with way too much money and zero boundaries, buying every single seat in the theater just to watch Mona Leslie perform by ..."
David O. Selznick, Donald Ogden Stewart, P.J. Wolfson, Joseph L. Mankiewicz, Ted Shane, Norman Krasna
United States
Drama, Comedy, Musical

