Summary
A tremulous moonlit kiss on a rain-slick pier seals the pact: Beatrice, porcelain-delicate yet flint-spined, and Gaylord, eyes flickering like faulty film stock, will outrun her industrial-barron father’s gilded leash. Their midnight train hisses toward a freighter that never arrives—two burly crimps spike their coffee, press them into a rust-scabbed tramp steamer, and the reel snaps from lovers-on-the-lam epic to maritime fever dream. Below deck, coal dust turns Beatrice’s veil into a funeral shroud; above, gulls screech Morse insults at the sun. A typhoon choreographs chaos: ropes become Medusa-locks, cargo barrels pirouette, the bosun’s hymn mutates into a death-rattle. The keel splinters on an unmapped tooth of coral; the screen blooms with magnesium-white foam, then hushes to palm-fringed silence. On the island Beatrice sheds her satin skin for salt-stiff calico, fashions a conch into a gramophone of longing; Gaylord, sun-scalded, hallucinates her silhouette in every ripple. Days smear into weeks until the father’s yacht—gleaming like a hypodermic needle—slides into the lagoon. Instead of wrath he offers a soaked, trembling apology; the camera pirouettes 360° as father, lover, and daughter wade into the shallows, their three shadows braiding into a single mutable glyph, fade-out on a horizon that refuses to decide between azure and abyss.
Synopsis
A young couple, who because of parental objection, decide to elope. Both are shanghaied, and after exciting experiences are shipwrecked on a desert island. The girl's father appears on the scene and everything ends satisfactorily.
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