
John Rand, having lived in a small town his entire life, dreams of possessing wealth and power in New York. Napoleon Bonaparte has long been his ideal, and one day he feels a message from the departed general urging him to take up the fight for world supremacy.
Fred Myton, J. Grubb Alexander
United States

::selection{background:#EAB308;color:#000}h2{color:#C2410C;margin-top:2.5rem}h3{color:#0E7490;margin-top:2rem}a{color:#EAB308;text-decoration:underline} Jack Nelson’s spectral silhouette opens The Lash of Power like a match struck inside a mausoleum: the flame gutters, but for a second you glimpse the skull beneath th...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Harry Solter

Harry Solter
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" ::selection{background:#EAB308;color:#000}h2{color:#C2410C;margin-top:2.5rem}h3{color:#0E7490;margin-top:2rem}a{color:#EAB308;text-decoration:underline} Jack Nelson’s spectral silhouette opens The Lash of Power like a match struck inside a mausoleum: the flame gutters, but for a second you glimpse the skull beneath the capitalist mask. Directed by Frank Lloyd and released in March 1922, this seven-reel fever dream distills Jazz-Age vertigo into a morality play that feels suspiciously like immor..."

1917 · IMDb —
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