Summary
In the hush of a house still echoing with the scent of ether and uncried tears, tiny Eileen Homer—part changeling, part candle-flame—re-words her widowed father’s newspaper notice so that it no longer solicitates a prim governess but begs, urgently, for a mother. The inked amendment detonates a chain-reaction: an impoverished laborer named Giuseppe, whose own boy has just died beneath the surgeon’s scalpel, storms the doctor’s ivory composure; a sleepwalking child drifts toward a moon-polished lake; and two broken halves of parenthood—one clad in starched surgical white, the other in coal-dust corduroy—collide, fuse, and cauterize each other’s wounds. The film’s emotional palette is bruise-mauve and magnesium-flare white; its tempo lurches like a heartbeat under ether—now languid with grief, now jagged with fury—until grief itself is anaesthetized by an improvised family stitched together from orphan yearning and surgical charity.
Synopsis
Neglected by her grief-stricken father, a doctor, after the tragic death of his wife, little Eileen Homer changes the wording of her father's ad for a governess to read: "Wanted, a mother." A laborer named Giuseppe asks Dr. Homer to operate on his ailing son, but when the boy dies, the enraged father attacks the doctor. Eileen meets her father's friend, Dr. Thelma Winter, and that night, while dreaming that Dr. Winter has become her fairy mother, she walks in her sleep to the edge of the lake. Wandering aimlessly in his grief, Giuseppe rescues the girl and takes her home to fill the void left by the loss of his son. In trying to return home, Eileen falls from the fire escape and is rushed to the hospital, where Dr. Winter saves her life. Afterwards, the grateful Dr. Homer becomes a more loving father with the help of his new wife, Dr. Winter, and Giuseppe becomes the family's gardener.
