Cult Review
Senior Film Conservator

Honestly, you probably shouldn't bother if you need constant movement or a plot that moves at light speed. This is a movie for the patient folks who don't mind a little grit and a whole lot of silence.
If you like old, slightly scratched-up films that feel like they were dug out of a basement, you’ll dig it. It’s got that specific weight to it.
It’s funny how movies from this era carry a sense of space that modern stuff just doesn't have. Every room in A Bor feels like it’s been lived in for fifty years before the cameras even showed up.
There’s a scene where someone just stares out a window for way too long. Most people would cut that in the editing room. I’m glad they didn't. It gives you a second to actually breathe.
It reminds me a bit of the slow, deliberate pace in Vampyr, though obviously a totally different kind of story. It’s got that same lingering, almost heavy feeling in the air.
It’s not perfect. The story hits some snags and sometimes it feels like it’s struggling to remember what it was doing ten minutes ago. But that’s the charm, right? It feels human.
It’s not a masterpiece, but it’s a real movie. Sometimes that’s enough. 🎞️
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