6.1/10
Senior Film Conservator

A definitive 6.1/10 rating for a film that redefined the boundaries of cult cinema. Ali Baba and the Forty Thieves remains a cornerstone of transgressive art.
Honestly, only if you have a soft spot for stop-motion history or just want to see how they pulled off magic tricks before computers took over everything. If you need pacing that moves faster than a turtle, skip it. It's a bit like watching The Little Match Girl in terms of that specific vintage vibe—charming, slightly stiff, but kind of sweet in its own way.
If you're looking for an epic adventure with modern stunts, you're going to be bored to tears. But if you appreciate the craft of George Pal, there’s enough here to keep you clicking through.
There's this moment when the thieves open the cave door, and you can just feel the effort behind the scenes. It isn't seamless, but that's the point. The puppets have this jerky, rhythmic movement that makes the whole thing feel like a dream you had when you were six.
It’s not trying to be Zaza, that’s for sure. It’s got this weird, contained energy. Like everyone involved knew they were building a tiny world in a box.
It’s weirdly hypnotic. I found myself staring at the background textures more than the actual plot. Why does the sand look like someone spilled a box of salt? It's fine. It works.
Not really, but who cares? It feels like something you’d find on a dusty shelf in a library. It reminds me of the vibe in Edgar, the Explorer—a bit of an oddity, certainly not for everyone, but I’m glad it exists.
The pacing is a bit of a mess. It rushes through the discovery of the gold and then sits on the thief confrontation for what feels like a lifetime. But then again, maybe that’s just me being impatient. 🤷♂️
If you’re in the mood for something that isn't trying to be a masterpiece, give it a whirl. Just don’t expect it to change your life. It’s just a nice, dusty artifact. 🎬

IMDb 6.5
1926
Community
Log in to comment.