Cult Review
Senior Film Conservator

Honestly, only if you are the type of person who digs through bargain bins at library sales. If you need a movie that moves fast or makes sense, look elsewhere. People who like watching old-school character actors act like they've had too much coffee will probably get a kick out of it. Everyone else? You’ll likely be checking your phone after ten minutes. 🎞️
There is this moment about halfway through where Lionel Stander just stares at a door. He doesn't say anything. He just looks at it. It’s supposed to be suspenseful, I guess, but it mostly just feels like he forgot his line. I kind of loved it.
The whole thing feels like it was filmed in a basement that hadn't seen sunlight in a decade. Everything is all sealed up—get it?—and the sets have this suffocating, paper-mache quality to them. It’s not necessarily bad, just very, very gray.
Sometimes the dialogue is so fast you miss half of it. It reminded me a bit of the frantic energy in Beer and Pretzels, but with way less joy and way more shouting.
I caught myself wondering if the actors were actually trapped in that room, or if they were just desperate for the lunch break to start. There’s a desperation in their eyes that no script can fake. It’s not quite on the level of The Bronze Bell, but it has that same weird, antique smell.
You can tell the director was trying to wring every drop of drama out of a script that probably wasn't written to handle it. It’s slightly exhausting to watch, honestly. But hey, it’s not pretending to be anything other than a weird, locked-in puzzle box. Sometimes that’s enough. Maybe. 🤷♂️
IMDb Rating
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