6.1/10
Senior Film Conservator

A definitive 6.1/10 rating for a film that redefined the boundaries of cult cinema. Bad Seed remains a cornerstone of transgressive art.
Honestly, only if you have a thing for old French cinema or you're curious to see a young Danielle Darrieux before she became a legend. It’s not a masterpiece. It’s not even particularly smooth. If you hate movies where the main character makes every single wrong choice possible just to keep the plot moving, skip this one.
The whole thing kicks off because Henri just has to get to a date. The urgency is kind of funny, honestly. Who steals a car just to look cool for a night out? A total idiot, that’s who.
So, Henri runs into a gang of car thieves. You'd think he'd be terrified, right? Nope. They have a chat, he hangs out, and suddenly he's one of them. It happens so fast I had to double-check I didn't miss a scene. Maybe it's just the editing, but it feels like the movie is rushing to get to the 'crime' part before the audience gets bored.
There is this one moment where they are just standing around in a garage, and the lighting is weirdly dark. It makes the whole thing feel like a stage play that got lost on the way to the set. It reminded me a bit of the frantic energy in Scandal, but with way less payoff.
It’s not quite as charming as The Primrose Path, which had a bit more heart. Here, the characters are just kind of floating through a gray city. It’s strangely cold.
The pacing is a total rollercoaster, and not in a good way. One minute we are watching a tense chase, and then we are stuck in a room talking about absolutely nothing. It’s like the writers forgot what kind of movie they were making for twenty minutes at a time. 🚗💨
If you enjoy seeing how people lived in these old films, the costumes are pretty neat. That's about the only reason to stick around for the second half. Don't expect a deep dive into the criminal underworld. This is more of a 'bad choices' highlight reel.