4.9/10
Senior Film Conservator

A definitive 4.9/10 rating for a film that redefined the boundaries of cult cinema. Buster Bear remains a cornerstone of transgressive art.
Alright, look, if you’re not deep into early animation history, Buster Bear probably isn’t for you. This one’s a real curio, a peek into a very different time for cartoons. If you’re a classic cartoon enthusiast or just really curious about how animation looked before the big names hit their stride, give it a shot. Everyone else? You’ll likely just find it a bit… weird. 🐻
It kicks off with Buster, our titular bear, bounding onto the screen. He gives a cheerful, almost too enthusiastic, "Hi ya! Hello everybody!" before doing a little dance. It's all very welcoming, almost as if he’s trying to sell you something. Then, a cat drives in with a big truck, emblazoned with "The Buster Bear Carnival," and it’s just a scramble of animals following along. You see a pair of pig twins chasing it, one on a unicycle. The unicycle pig really looks a lot like an early version of Piggy, if you ask me. Makes you wonder. 🤔
Buster's the sheriff, the master of ceremonies for this whole shindig. His voice kinda… shifts. Sometimes it’s high-pitched, then he’ll suddenly drop into this deep, booming tone when he’s, like, bullying a dancing broom. Yes, a dancing broom. It’s a strange moment that lasts just a beat too long. 🧹
The acts roll in, one after another. We get dancing frogs, a cow, a mother bear with her cubs. Then this duck couple shows up, and they're really going for it – dancing, making out a little, then doing some kind of stunt. It’s all very chaotic energy. I mean, they're just having a good time. 😂
You can tell this is an old one because Buster's pants keep slipping down a bit with each introduction. It’s a running gag, or maybe just a subtle animation shortcut for emphasizing movement. Either way, you notice it after the third time.👖
Then things take a dark, really dark, turn. A stork comes out and starts playing the xylophone, but the instrument is… a newborn pup. With his wings. The crowd, surprisingly, isn’t having it. A hook comes out of nowhere and just pulls the stork apart. Like, literally pulls him into pieces. It’s jarring. This is not a kid-friendly moment, even by old cartoon standards. 💀
After that bit of unexpected horror, various other animals try to get the mood back up with some music. We get a horse jumping rope, which is perfectly wholesome and gets a good applause. It’s a weird tonal shift after the stork. 🐴
The grand finale is a dog blacksmith. He’s hitting a horseshoe on an anvil, but everything's too heavy. He and the anvil just crash right through the stage. The guy looks delirious down there, then he hits a pipe, and the whole town hall just starts flooding. Everyone’s scrambling to get out as the iris closes. What a way to end a show! 🌊
But wait, there's more! The short doesn’t quite end there. We cut to Buster, now with this ridiculously heavy eye shadow, saying "I'll be seeing ya!" He’s perched on a ledge that looks like the planet Earth, with clouds and stars passing by. It’s an oddly poetic, almost melancholic, final shot for such a goofy, chaotic cartoon. 🌎
I guess it’s a neat little piece of animation history. It's got some charm, some truly baffling choices, and a real sense of early experimental energy. It feels like a bunch of animators just throwing everything at the wall to see what sticks. And some of it, well, it really sticks with you. Like the stork. Or the planet Earth ending. Definitely not something you see every day. ✨

IMDb 5.4
1930
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