Cult Review
Senior Film Conservator
If you have ten minutes and a weird craving for antique variety shows, sure. It’s definitely for people who enjoy early cinema oddities or those who like to see how strange entertainment used to be. If you hate slow-burn pacing or want a coherent story, stay far away. You will probably hate this.
Excuse My Gloves is mostly just a string of performances taped together. It’s less of a movie and more of a record of someone’s Tuesday night at a club that doesn't exist anymore. Fred Waller plays a boxer who can belt out a tune, and honestly, the contrast is just bizarre.
There is this moment where the boxing gear meets the microphone that feels totally disjointed. It’s like the film couldn't decide if it wanted to be a sports reel or a musical showcase. It fails at both, but in a way that’s kind of charming.
The tap dancers show up and do their thing, and the sound quality makes every step sound like someone dropping a bag of gravel. It’s loud, scratchy, and oddly hypnotic. I spent most of the runtime wondering if the floor was actually wood or just painted tin. 🎤
It reminds me a bit of the frantic energy in Ko-Ko's Hot Dog, though without the animation. Just pure, unfiltered stage performance recorded on gear that was clearly struggling.
The transition between the singing sisters and the boxing segments is non-existent. One second you're listening to a harmony, the next you're staring at a man in robes who looks like he’d rather be hitting a heavy bag than hitting a high note. 🥊
It’s not trying to say anything deep. It’s just a snapshot of a stage. Sometimes that’s enough to keep you watching, even when the audio starts to hiss like a snake.
It’s a strange little artifact. If you like the feeling of watching something that feels like a dusty, forgotten attic find, this is your movie. Don't go in expecting structure. Just enjoy the weirdness of a boxer singing for his supper.

Year
1935
IMDb Rating
—

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Deciphering the legacy of transgressive cult cinema.
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