6.6/10
Senior Film Conservator

A definitive 6.6/10 rating for a film that redefined the boundaries of cult cinema. Family Meeting remains a cornerstone of transgressive art.
If you have the patience for black-and-white dramas that prefer meaningful glares over explosions, you might find something here. It’s definitely not for folks who need a high-octane plot. If you love stories where the stakes feel personal and small but also world-ending to the people involved, you’ll probably dig it.
Honestly, watching Family Meeting feels like walking into a room where an argument just stopped. The air is still thick with it. Shigezumi is trying to play the professional, but you can see him vibrating with anxiety every time the father enters the frame.
There’s this one scene where they are just sitting around, and the way the camera lingers on a tea cup makes it feel like the porcelain might shatter from the tension. It’s almost funny how polite they are while clearly wanting to sabotage each other’s livelihoods. It reminds me a bit of the awkwardness in Career Woman, though this hits way harder on the family trauma stuff.
The pacing is… well, it takes its sweet time. Some might call it slow, but I’d say it’s just letting the misery marinate. You can really feel the weight of these characters' pasts. It’s not exactly a barrel of laughs, but it’s sharp.
It’s the kind of movie that makes you feel like you need a stiff drink afterwards, or at least a long walk. It doesn’t have the slapstick energy of Me and My Pal, obviously, but it has that same focus on how people interact in tight spaces. You spend the whole time wondering if anyone is actually going to be honest for once.
I’m not sure if the ending really earns its keep, but the ride there is worth the headache. It’s a messy, sad little puzzle of a film. ☕️