Cult Review
Senior Film Conservator

If you want to see exactly when Spain started trading their capes for cleats, Fútbol, amor y toros is probably the best time capsule you'll find. It is a movie for people who love history and don't mind a bit of grainy, silent-era silliness.
If you can't stand old movies where people overact with their eyebrows, stay far away from this one. It’s definitely not for the 'modern blockbuster only' crowd. ⚽
I watched this on a Tuesday night when I couldn't sleep. It has this weird, bouncy energy that actually kept me awake longer than I planned.
The plot is basically a triangle, but not just between people. It’s a triangle between a guy, a girl, and the stadium.
Ricardo Núñez plays the lead and he has this face that is almost too busy. He moves his mouth in ways that make you wonder if he was talking to himself between takes.
There is a scene early on where he's looking at Blanca Suárez. The way the camera just sits there on his face for five seconds too long makes it feel like he’s trying to win a staring contest with the audience. 👁️
It reminds me a bit of the frantic pacing you see in The Show, where everything feels like a life-or-death emergency even when it's just a conversation. The stakes are high, but mostly because the music (if you have a good score playing) tells you they are.
The bullfighting stuff feels heavy. It’s filmed with this seriousness that feels like it’s mourning something. 🐂
Then the football scenes happen and the movie suddenly turns into a cartoon. People are jumping around and the editing gets all choppy and excited.
I noticed a dog in the background of one of the street scenes. It looked incredibly confused by the film crew, and honestly, that was my favorite part of the first act.
The writer, Florián Rey, clearly knew what he was doing with the crowd scenes. They feel alive in a way that some of the more stiff dramas from that era, like maybe Broken Homes, don't quite manage.
There's this one guy in the stands during the match who keeps losing his hat. I spent ten minutes trying to figure out if that was scripted or if he just had a really small head. 🎩
The romance part is... fine? Blanca Suárez is great to look at, but her character doesn't have much to do besides look worried or impressed.
It’s that classic thing where the girl is basically a trophy for whoever wins the most points or kills the biggest bull. It feels a bit dated, obviously, but what do you expect from 1929?
The indoor sets are a bit cramped. It reminded me of the tight, slightly suffocating feeling of the rooms in Low Tide, though the tone here is way less depressing.
I liked how the movie didn't try to be too smart. It knows it’s a crowd-pleaser about sports and pretty people.
Sometimes the title cards come in too fast. I had to rewind once because I missed a whole sentence about a character's father. ⏩
There is a bit of a weird sequence toward the end that feels like it belongs in a different movie. It’s almost like they ran out of film and just started throwing things together to get to the finish line.
It has that same sort of desperate 'we need an ending' energy you find in Rich Girl, Poor Girl. But somehow, it works here because the movie is already so high-strung.
Is it a masterpiece? No way.
But it’s interesting. It’s like looking at a postcard that’s been sitting in a drawer for a hundred years.
The football looks so different back then. The balls look like they’re made of solid lead and the players wear these massive shorts that go down to their knees.
One guy gets hit in the face with the ball and you can tell it actually hurt. That’s the kind of realness you don't get with CGI. 🤕
I think I enjoyed the 'toros' part less than the 'fútbol' part. Maybe that's just my modern brain talking.
The ending is exactly what you think it’s going to be. No surprises there, but it leaves you feeling okay about the hour you just spent.
If you see it pop up on a streaming service or a film archive, give it twenty minutes. You’ll know pretty fast if the 1920s vibe is going to work for you or if you’d rather go watch Blue Blood or something with a bit more polish.
It’s messy. It’s loud for a silent movie. I kind of liked it.

IMDb —
1917
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