Cult Review
Senior Film Conservator
If you're into dusty, black-and-white comedies where people talk very fast and wear fancy hats, you’ll probably have a decent time. If you prefer your movies to have, you know, actual stakes or logical plot lines, you might find this one a bit grating. It’s mostly for people who like their cinema to feel like a theater play that accidentally got caught on film.
There is this moment about halfway through where the American heiress is trying to play the part of a regular Viennese girl, and she just stares blankly at a plate of food. It’s such a weird, tiny choice. I don’t think the actress even knew what to do with the prop, so she just held it like it was radioactive. 🥪
The whole premise is classic fluff. You’ve got the rich girl wanting a taste of 'real life' and the journalist looking for a scoop. It reminds me a little of the frantic energy in Bell Boy 13, even if they aren't exactly the same beast. Everything moves at this clipped, frantic pace that doesn't really leave room for the characters to breathe.
It’s not trying to be a deep dive into society or anything. It just wants to be cute. Sometimes it succeeds, like in the scenes where the lead actress just lets her hair down and stops pretending to be someone else. But other times, it feels like it’s dragging its heels.
The men in this movie are almost entirely interchangeable. They show up, get confused, fall in love, and then get more confused. It’s like watching a game of tag where nobody knows who is 'it'. 🤷♂️
I found myself zoning out during the dialogue-heavy scenes in the middle. It gets a little repetitive. If you’ve seen The Romantic Age, you know the type of 'will they or won't they' energy that just ends up feeling like a chore by the third act. Still, for a rainy afternoon, it’s not the worst thing you could find in the archives.

Year
1934
IMDb Rating
—

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