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7/10
Senior Film Conservator
A definitive 7/10 rating for a film that redefined the boundaries of cult cinema. Il signor Max remains a cornerstone of transgressive art.
Honestly, yes. If you like classic black-and-white comedies that don't try to solve the world's problems, Il signor Max is a total treat. It’s perfect for a rainy Sunday afternoon when you just want to smile at a screen. If you’re allergic to 1930s charm or need explosions every five minutes, maybe skip this one.
Vittorio De Sica has this incredible energy. He’s running a newspaper stall, but he carries himself like a king in waiting. When he gets his hands on that cruise ticket, you can see the exact moment the mischief starts brewing behind his eyes. It’s not deep, but it doesn't need to be.
The whole setup is so wonderfully silly. The aristocrats are all stiff-collared and bored, while our guy is just trying not to trip over his own lie. There’s a scene where he’s trying to navigate a fancy dinner that felt like it went on for just the right amount of time—awkward, funny, and honestly relatable if you’ve ever tried to act cooler than you actually are. 🎩
Assia Noris is fantastic as the maid. She brings this grounded, quiet intelligence to every frame she’s in. While everyone else is busy playing dress-up, she’s the only one who actually seems awake. Their chemistry isn't explosive, but it’s real. It reminded me a bit of the sweetness you find in The Love Trap, just with more Italian sunshine.
It’s funny to think how different this is from the heavier stuff De Sica would go on to direct later. You can still see the spark, though. He’s a natural. It’s nowhere near the complexity of something like The Family That Was a Carousel, but it’s got heart. That’s enough for me.
The pacing is a bit loose in the middle, but it’s like hanging out with a friend who talks too much. You don't mind the tangents. You’re just happy they’re there. 🎞️
