Cult Review
Senior Film Conservator
Honestly, only if you have a soft spot for weird, dusty French comedies from the thirties. If you need tight pacing or a story that makes actual sense, you’ll probably want to turn this off after about twenty minutes. It’s light, it’s silly, and it feels like a stage play that just happened to have a camera pointed at it.
The whole premise hinges on Monsieur Coquelet—a guy who collects historical garters. Yes, really. It’s one of those character traits that’s supposed to be funny just by existing. I’m not entirely sure it lands, but Marcel Lévesque plays him with such high-strung intensity that you can’t help but watch.
When the garter goes missing, the movie turns into a chaotic scramble. The police get involved, and suddenly everyone is shouting. It’s got that frantic energy you see in a lot of older farces. Sometimes it’s charming. Other times it just feels like everyone is running in circles for no good reason.
The dialogue moves at a breakneck speed, which I suppose is the point. Still, there are moments where the silence between lines feels heavier than the jokes. It’s like the actors are waiting for a laugh that isn’t coming from the room.
I couldn't help but think about how much more grounded some of the performances feel in other films from that era, like Les aventures du roi Pausole. Here, everything is dialed up to eleven. It’s a bit exhausting.
Is it a masterpiece? No. Is it a fun, weird relic? Sure. Don't go in expecting a deep dive into the human condition. It's just a movie about a man, his missing lingerie, and a whole lot of shouting. Sometimes, that's enough to kill an hour on a rainy afternoon.

Year
1935
IMDb Rating
—

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