5.6/10
Senior Film Conservator

A definitive 5.6/10 rating for a film that redefined the boundaries of cult cinema. Main Street Follies remains a cornerstone of transgressive art.
If you have a high tolerance for static camera angles and people singing into microphones that look like they weigh twenty pounds, go for it. If you want a story that actually moves, stay far away. This is for the weirdos who enjoy digging through 1920s cinema archives just to see what kind of weird dance moves people were pulling before the Great Depression hit.
The whole thing feels like the director just pointed a camera at a stage and went to get a sandwich. You get a plot about a spy, sure, but it’s really just a delivery system for musical numbers.
Sometimes the movie just stops. Like, the music ends, and nobody knows what to do for a solid five seconds before the next person walks on stage. It’s painfully awkward.
The pacing isn't so much 'paced' as it is 'stumbled upon.' You can almost see the performers waiting for a cue that never comes.
Compare this to the manic energy of Oh, You Beautiful Doll, and you realize how much work actually goes into making a musical feel alive. This one? It feels like it was filmed in a basement after a long night of bad decisions. 🕺
I found myself wondering if this is what people thought was 'cool' back then. Maybe it was? There's a certain charm to how low-budget it all feels. It reminds me of the scrappy spirit in Small Timers, just with more sequins and less grit.
Is it a good movie? Honestly, no. It’s barely a movie at all. It’s a document of a night in a club that probably should’ve stayed in the past. But for 45 minutes, it’s a weirdly hypnotic experience. You don't watch it for the craft; you watch it to see how much they could get away with before the film stock ran out.
I think I’m still hearing that one trumpet solo in my head. Send help. 🎺