6.6/10
Senior Film Conservator

A definitive 6.6/10 rating for a film that redefined the boundaries of cult cinema. Milk and Money remains a cornerstone of transgressive art.
If you have a soft spot for the classic, slightly unhinged era of animation, Milk and Money is probably worth a look. It is strictly for people who like their comedy served with a side of property damage and mild animal cruelty.
Honestly, if you are looking for a relaxing time, skip this. The premise is simple: Porky Pig needs to save the farm. He takes a milk job with a strict rule: break a bottle, get fired. You know exactly where this is going.
The cats following behind him are genuinely funny in a quiet, sneaky way. They just drink the milk while Porky is oblivious. It’s that classic cartoon logic where the protagonist is just a little too focused on his own importance to notice the world falling apart behind him.
Then there is Hank Horsefly. That little guy is a menace. Watching him buzz around with that single-minded focus made me think of the relentless energy in The Carnival Man, where things just start spiraling for no reason other than, well, that is what happens.
The moment Dobbin gets stung, the whole thing turns into a wreck. Glass is everywhere. It’s stressful, man. I found myself actually wanting him to keep the job, which is a weird reaction for a cartoon about a pig.
The transition to the race is so sudden it’s jarring. The movie just decides, "Okay, let's go to a track now." It feels less like a narrative choice and more like someone just throwing darts at a map of tropes.
The horse just plodding along was the highlight for me. It had that dead-eyed stare that reminds me of the pacing in The Idle Class. It does not care about the race, and neither does the animator, really.
The ending is pure, unadulterated nonsense. He wins ten grand and suddenly he is driving a limo? Where did the limo come from? Did he lease it? The movie just stops caring about the plot the moment the finish line is crossed.
It’s not perfect. Sometimes the action gets so busy you lose track of where Porky even is. It has that frantic energy that makes you realize why these old cartoons are so loud and weird. Definitely not something you watch for the plot, but for the sheer chaotic movement.

IMDb —
1915
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