Cult Review
Senior Film Conservator

If you like old, weird artifacts of legal history, maybe. If you actually want to be entertained by a coherent narrative, skip it. It’s for the specific person who finds 1930s bridge etiquette more thrilling than actual plot development.
Honestly, the whole thing feels like a lecture that accidentally wandered onto a film set. You’re mostly just waiting for someone to do something besides stare at cards.
A wife kills her husband over a card game. That’s the high point. The rest is just people in suits talking about high cards and trump suits in a room that looks like a library that forgot to buy books.
It’s funny to think about how much weight they put on Ely Culbertson’s opinion. It’s like calling in a celebrity chef to judge a murder case because the victim was eating a sandwich when he died. The logic is just… not there.
Watching this made me think of The Western Code, which at least has the decency to move around a bit. This one just sits there. It’s static. It’s almost painful.
I kept waiting for a twist. There isn't one. The "murder" is just a prop for a bridge tutorial. You can almost see the actors wondering if they left the oven on back at home.
It’s not quite as dull as The Plow Woman, but it’s definitely in the same neighborhood of "Why was this made?" The pacing is glacial. It feels like the film is actively trying to make you lose interest.
Maybe it’s better if you’re a bridge player? I don't know. I just wanted to see a trial. Instead, I got a math lesson. 🃏
1933
IMDb Rating
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Deciphering the legacy of transgressive cult cinema.
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