6/10
Senior Film Conservator

A definitive 6/10 rating for a film that redefined the boundaries of cult cinema. One in a Million remains a cornerstone of transgressive art.
If you're into 1930s musical-comedy fluff or have a weird obsession with Olympic figure skating history, you'll probably get a kick out of this. If you need a movie to actually have a coherent story or stakes that feel real, you’ll be bored to tears within twenty minutes.
It’s basically a showreel for Sonja Henie, and the plot is just something they shoved in the gaps between her performances. ⛸️
Look, when Henie is on the ice, the movie wakes up. She’s undeniably great at what she does, and the way the cameras follow her feels like they were trying to invent a new language for shooting sports.
But then she stops skating, and Adolphe Menjou has to do all the heavy lifting with dialogue that feels like it was written on the back of a napkin. There’s a lot of running around Madison Square Garden that feels very beige, if that makes sense.
There's this one moment where they try to manufacture some romantic tension between Henie and Don Ameche that just doesn't land. It feels like two people who were told they had to kiss for the paycheck and decided to get it over with as quickly as possible. 🙄
I found myself comparing it to the lighthearted feel of Three Cornered Moon, but with way more ice and way less personality. It’s not trying to be high art, which is fine, but it’s so thin it almost vanishes while you’re watching it.
It’s fine for a rainy Sunday if you just want something pretty to look at. Just don't ask it any difficult questions about the plot.