7.4/10
Senior Film Conservator

A definitive 7.4/10 rating for a film that redefined the boundaries of cult cinema. School for Girls remains a cornerstone of transgressive art.
If you like old, dusty melodramas where the villains twirl invisible mustaches and the dialogue feels like it was written in a panic, sure. If you’re looking for something that makes sense, keep walking. This isn't exactly Hallelujah I'm a Bum when it comes to charm, but it has its moments of strange, gritty energy.
The whole thing centers on Annette Eldrige. She gets sent to a reformatory for jewel theft, which is a pretty bold move for a protagonist. The place is run by a woman so cartoonishly evil she makes the warden in every other reformatory movie look like a saint. Honestly, she probably kicks kittens when the camera isn't rolling.
Then there's the board member who falls for Annette. It’s supposed to be romantic, I guess? But it just feels like the guy is trying to rescue a stray puppy. The power dynamic is weird, even for a movie from this era. Sometimes the camera just lingers on his face for way too long, like he’s waiting for a cue that never came.
The movie really drags in the middle. It gets stuck in this loop of Annette looking sad and the matron looking smug. It almost feels like the film is trying to convince you that this is a serious drama about institutional corruption, but it’s really just a stage for people to yell at each other.
It’s not as polished as The Lemon Drop Kid, but there’s a certain charm to how sloppy it gets. It reminds me of those late-night flicks you find on cable when you're too tired to change the channel but not tired enough to sleep. It just exists, you know?
I didn't hate it. I didn't love it. I just watched it. And sometimes, that's exactly what a rainy Tuesday needs.