Cult Review
Senior Film Conservator

If you have a thing for old, black-and-white family dramas where everyone seems to be holding a secret behind a polite smile, you might dig this. If you need explosions or a plot that moves faster than a slow walk through the park, stay away. This is pure, unadulterated vibes from a different era.
The Björn family isn't exactly normal, though 'normal' is a stretch for any family, right? They move through these scenes with a rhythm that feels almost like a circular ride. Hence the title, I guess. It’s like watching a carousel that’s missing a few horses but keeps spinning anyway.
There is this one moment in the kitchen that I keep thinking about. Someone is pouring coffee, and the silence is just heavy. Not dramatic-movie heavy, just… real heavy. You can hear the cup clink against the saucer three times before anyone says a word.
It reminded me a bit of the pacing in Hingabe, where the silence does more work than the dialogue ever could. Some might call it slow. I call it honest.
The acting is fascinating because it’s not flashy. Axel Högel and Aino Taube just exist on screen. They aren't trying to sell you an emotion; they are just living in their little world. It’s rare to see that these days.
I wouldn't say the movie is perfect. Sometimes it drags. Like, really drags. There’s a scene where they are just sitting around waiting for a train that felt like it lasted until my own dinner was ready. But then, it does something small, like a quick glance between siblings, and you're back in.
It’s not trying to change the world. It’s just trying to be a family, or a carousel, or whatever the hell Schamyl Bauman and Gunnar Widegren were aiming for. It’s not quite as punchy as Brilliant Marriage, but it has a weird, sticky charm that stays in your head.
Maybe it’s the way they look at each other. Or maybe I just needed a quiet movie today. Either way, it’s a strange, dusty little gem. 🎠