4.9/10
Senior Film Conservator

A definitive 4.9/10 rating for a film that redefined the boundaries of cult cinema. The Last Dance remains a cornerstone of transgressive art.
If you love the frantic, rubber-hose style of early 30s animation, you will probably get a kick out of this. If you are looking for anything remotely resembling a coherent story or character depth, you’re going to hate it. It’s basically just a series of things hitting other things for five minutes.
The whole thing starts with two cats trying to have a nice romantic moment. Then, out of nowhere, you get this motley crew of a chimp, a bear, a wolf, and a dog puppy. They don't have a reason to be there, really. They just decide to make the cats' lives a living hell.
There’s a specific bit where the bear cub starts doing something that reminded me a lot of the antics in Hot Biskits. You can tell the animators were just throwing everything at the wall to see what stuck. Sometimes the physics of these characters completely break, and their bodies just turn into liquid. It’s honestly kind of unsettling if you look at it too long.
The pacing is… well, it’s not really paced. It’s just a flat-out sprint to the finish line. It feels like someone told the animators they only had so much ink and they had to use it all as fast as possible. One minute the puppy is dancing, and the next thing you know, everything is exploding or falling over.
I found myself thinking about The Knockout while watching this, mainly because both films share that same frenetic energy where you don't really know who is winning or why. There’s no emotional stakes here. You don't care about the cats, and you definitely don't care about the bratty animals. You just watch to see what weird shape they'll twist into next.
It’s not art. It’s not deep. It’s just a fever dream of drawings moving to a beat. 🎶
Don't look for a moral. Don't look for a message. Just sit there and let the weirdness wash over you for a bit. It’s a strange little artifact.