4.8/10
Senior Film Conservator

A definitive 4.8/10 rating for a film that redefined the boundaries of cult cinema. The Line-Up remains a cornerstone of transgressive art.
If you've got sixty minutes and a soft spot for pre-code crime flicks, sure. You'll probably enjoy it if you like fast-talking detectives and low-stakes heists. If you need big budgets or complex character arcs, you’ll likely find it a bit thin. It’s definitely not Murders in the Zoo in terms of production value, but it has a certain kind of honest energy.
William Gargan plays Bob Curtis like he’s just happy to be included in the police work. It’s funny how he’s supposed to be this hot-shot young detective, but he mostly just stands around nodding while the older guys talk. There’s a scene early on where he’s leaning against a desk, and I swear he almost loses his balance. He just keeps on talking like nothing happened.
The fur robberies aren't exactly world-ending stakes. But the movie treats them like they're the crime of the century. I love that kind of earnestness. There’s no moralizing or big speeches about the state of society.
It reminds me a little bit of the vibe in The Law Decides, where everything feels like it was filmed in a basement on a Tuesday afternoon. There's a lack of polish that makes it feel weirdly real. You aren't watching a 'masterpiece,' you're watching a job getting done. 🕵️♂️
Is the plot logical? Probably not. Does the ending come out of nowhere? Absolutely. But there’s a charm to how quickly it resolves, like the director realized they were running out of film and just decided to wrap it up before lunch.
If you’re looking for something heavy, look elsewhere. But if you want to see a bunch of guys in fedoras running around a set that looks like it cost four dollars to build, you could do a lot worse. It’s refreshingly disposable.