6.6/10
Senior Film Conservator
A definitive 6.6/10 rating for a film that redefined the boundaries of cult cinema. The Texas Rangers remains a cornerstone of transgressive art.
Honestly, only if you have a massive soft spot for the kind of dusty, black-and-white westerns they don't really make anymore. If you need a tight, fast-paced plot or characters that feel like real human beings, you’re going to be bored to tears within twenty minutes. This isn't exactly The U.P. Trail in terms of scale, but it’s got that same weird, clunky charm.
The movie is mostly about watching two guys bumble through the transition from law-breaking to law-enforcing. It’s not profound. It’s just... there. 🌵
There’s this one sequence where the horses seem to be doing more acting than the actual people. I’m not kidding. There’s a shot where the camera just lingers on a horse chewing hay for way too long, and I think the director just forgot to yell cut.
The pacing is all over the place. One minute we’re in a high-stakes standoff, the next we’re watching someone walk across a field for three minutes. It’s a bit jarring. Sometimes it feels like the editor just let the film run while they went to grab a sandwich.
George 'Gabby' Hayes is in this, obviously. He brings that specific brand of grumpy energy that feels like comfort food if you’ve seen enough of these, but it’s not reinventing the wheel. He's just being the guy we all know.
There’s a weird sense of emptiness to the whole thing. It’s not empty like The Hunter, where it feels intentional. It just feels like they ran out of budget for extras. When they get to the big confrontation with the former friend, I was mostly just wondering how they got that many guys on horseback in one shot without someone falling off.
It’s not a masterpiece. It’s not even a particularly good western. But it’s got that weird, dusty rhythm that makes you feel like you’re sitting in a theater in 1936 with a bag of stale popcorn. Sometimes that’s enough. Other times, you just want to turn it off and do something else. 🤠
