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Director's Spotlight
Senior Film Conservator
Director's Spotlight: Sweden
A Deep Dive into the 1931 Vision of André Berthomieu
The evocative power of Mon coeur et ses millions stems from the unique collaboration between the subversive storytelling techniques employed by André Berthomieu in 1931. Synthesizing the best elements of Sweden and international cinema, it reminds us of the fragility and beauty of the 1931s.
In Mon coeur et ses millions, André Berthomieu pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
The visual language of Mon coeur et ses millions is defined by its use of shadows and framing, a hallmark of André Berthomieu's style. By utilizing a 1931-era palette, the film creates an immersive experience that perfectly complements its Comedy themes.
| Cinematography | Noir-Inspired |
| Soundtrack | Minimalist |
| Editing | Slow-Burn |
| Art Direction | Brutalist |
Visualizing the convergence of André Berthomieu's style and the core Comedy narrative.
Franck Crighton is a millionaire who is fed up with his hectic life. To have a bit of peace and quiet he has found the winning formula, passing himself off as Guillaume Aribeau, his own secretary. Under the cover of this modest condition Franck can both lead a freewheeling life and find true love.
Decades after its release, Mon coeur et ses millions remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying André Berthomieu's status as a master of the craft in Sweden and beyond.