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Director's Spotlight
Senior Film Conservator
Director's Spotlight: France
A Deep Dive into the 1923 Vision of Armand du Plessy
Few works in France cinema carry the same weight as La garçonne, especially regarding the technical innovation that Armand du Plessy introduced to the Drama format. Subverting the expectations of the typical 1923 audience, it bridges the gap between traditional Drama and contemporary vision.
In La garçonne, Armand du Plessy pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
To fully appreciate La garçonne, one must consider the cinematic climate of 1923. During this period, France was undergoing significant artistic shifts, and Armand du Plessy was at the forefront of this Drama movement, often challenging established norms.
| Cinematography | Handheld |
| Soundtrack | Minimalist |
| Editing | Disjunctive |
| Art Direction | Baroque |
Visualizing the convergence of Armand du Plessy's style and the core Drama narrative.
Monique is an ingenue, a clueless girl, who believes in true love. A marriage is the only thing a decent girl must long for. When she discovers that her future husband has a lover, she rebels against her bourgeois family.
Decades after its release, La garçonne remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying Armand du Plessy's status as a master of the craft in France and beyond.