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Director's Spotlight
Senior Film Conservator
Director's Spotlight: United States
A Deep Dive into the 1923 Vision of B. Reeves Eason
In the grand tapestry of Adventure cinema, Around the World in Eighteen Days serves as a bridge between the philosophical inquiries that B. Reeves Eason embeds within the narrative. Melding the raw energy of United States with a global Adventure appeal, it invites us to question our own perceptions of Adventure narratives.
In Around the World in Eighteen Days, B. Reeves Eason pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
The visual language of Around the World in Eighteen Days is defined by its use of shadows and framing, a hallmark of B. Reeves Eason's style. By utilizing a 1923-era palette, the film creates an immersive experience that perfectly complements its Adventure themes.
| Cinematography | Static |
| Soundtrack | Orchestral |
| Editing | Invisible |
| Art Direction | Kitsch |
Visualizing the convergence of B. Reeves Eason's style and the core Adventure narrative.
The adventures of Phineas Fogg the 3rd, grandson of the famous globe trotter of Jules Verne fame, in his effort to go around the world in 18 days to get proxies from widely scattered stockholders of an international fuel company, which is headed by Fogg's sweetheart's father. Unless Fogg obtains the proxies in time, Brenton, the vice-president, will seize control of the company at the next Board meeting which occurs on the 19th. It is then the first of the month. Brenton wagers Fogg $100,000 that he cannot make the trip in time.
Decades after its release, Around the World in Eighteen Days remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying B. Reeves Eason's status as a master of the craft in United States and beyond.