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Director's Spotlight
Senior Film Conservator
Director's Spotlight: United States
A Deep Dive into the 1930 Vision of Bert Glennon
The evocative power of Around the Corner stems from the unique collaboration between the bold experimentation that has become synonymous with Bert Glennon. Framed by the hauntingly beautiful landscapes of the production, it echoes the profound changes occurring in United States during that era.
In Around the Corner, Bert Glennon pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
To fully appreciate Around the Corner, one must consider the cinematic climate of 1930. During this period, United States was undergoing significant artistic shifts, and Bert Glennon was at the forefront of this Comedy movement, often challenging established norms.
| Cinematography | Noir-Inspired |
| Soundtrack | Synth-Heavy |
| Editing | Rhythmic |
| Art Direction | Naturalist |
Visualizing the convergence of Bert Glennon's style and the core Comedy narrative.
18-year-old Rosie Kaplan O'Grady was found as an abandoned baby by O'Grady, an Irish policeman and Kaplan, a Jewish pawnbroker, and raised by them as their own. She is being courted by two men; prizefighter Terry Callahan and a rich socialite, Tommy Sinclair and has to choose between them.
Decades after its release, Around the Corner remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying Bert Glennon's status as a master of the craft in United States and beyond.