The Definitive Guide Inspired by the Vision of A Certain Young Man:...

Dir: Hobart Henley

Carey Wethersbee and her aunt Lucretia live in an old Southern mansion, which through their quaint manners and outmoded costumes, they imbue with an atmosphere of the antebellum South. After her aunt's death, Carey decides to "go visiting" in the North, journeys to a small town and announces her intention to install herself in the home of wealthy mill owner Hiram Ward. The young bachelor is shocked at first, but his friends convince him to allow her to stay. Carey visits Hiram's mill, where she is shocked and saddened by the miserable conditions under which the employees labor. Her distribution of money among the workers fails to avert a strike, but when the mill is blown up, she staunchly defends the accused man. Through her influence, Hiram's attitude towards his employees softens, and he agrees to improve conditions. He grows to love the unspoiled girl, and she eventually returns his affections.

Dir: Charley Chase

A visual fragment from the archive: The thematic resonance of Kids Is Kids perfectly mirrors the editorial trajectory of our deep dive.

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Hobart Henley

Two baby boys are born in Owentown. One is the unwanted offspring of an avaricious grasping father. He grows to an evil manhood, and loses his one chance of real happiness to the play-fellow whose parents have met their responsibilities.

Dir: Hobart Henley

A visual fragment from the archive: The thematic resonance of Parentage perfectly mirrors the editorial trajectory of our deep dive.

The Atlanta Journal on October 4, 1918, advertised this movie with the following blurb: "Atlanta's last chance to see the best movie to date of the wild, free days of Alaska, when men fought and women loved along the Yukon in a mist of snow and gambling hells and gold mining, is Friday and Saturday at the Strand Theater, when Rex Beach's 'Laughing Bill Hyde' ends a week's engagement that has drawn capacity houses to the Strand every day. Will Rogers, cowboy wit of the Ziegfield Follies, is the star of the this thriller and Will Rogers is second to none."

Dir: Hobart Henley

A fat man tries to enlist in the Army, but is told he is too large for service. So he joins the YMCA and ultimately proves his heroic mettle anyway.

Dir: Hobart Henley

A visual fragment from the archive: The thematic resonance of Laughing Bill Hyde perfectly mirrors the editorial trajectory of our deep dive.

Morris, a hardened criminal, is imprisoned for larceny and has engaged William Newman, a police court lawyer, to defend him. As recompense, Morris gives Newman his vest in which are sewed four valuable diamonds. Newman is attracted by a girl who slaves for the proprietress of his boarding house. Georgianna, who is afraid of Newman, is arrested for the theft of several cheap rings belonging to the proprietress, which have been mislaid. While in prison Newman promises to pay her bail, if she is willing to meet his advances. Newman cuts the diamonds from the vest, as he is determined to get away with all instead of one, according to the agreement. The new hole in the vest is discovered, and Morris is brought before the chief. The two are left alone and Morris hits the chief and disappears through the window. Georgianna's case is dismissed, but she thinks Newman is responsible for her being set free. On arriving at his rooms a fierce struggle ensues. A knock is heard and she is told to hide behind the couch. Morris enters the room and shoots Newman, who falls dead. Georgianna is held for the murder, Morris having escaped into the room adjoining Newman's, in which McHugh, a newspaper reporter, is dressing. Willy, a roustabout in the boarding-house, and an admirer of Georgianna's, becomes suspicious. He stacks furniture and looks through the transom when the furniture falls with a clamor. Morris is terrified and is about to draw his revolver when McHugh hits him with a bottle and then handcuffs him. Leaving Willy to guard the captive, he dashes to the police station and to his office to write up his scoop. Meantime, Bennett, another reporter, arrives and looking over the transom sees Morris still handcuffed and Willy guarding him. He phones for help, and is disappointed because of not being the first to get the story. McHugh feeling sorry for them sends Willy and Georgianna, who has been set free to live with an uncle of his.

Dir: Hobart Henley

Carlotta lives with Giuseppe a violinist, in "Little Italy." the Italian quarter of a great city. With Rags, a monkey, they earn a livelihood playing on the streets. One day Tom, a wealthy chap, is attracted to the girl and asks her to dance at a charity ball, giving her his card and the date. But Giuseppe drags the girl away. Tom and his friend follow them home, but they are seen by Giuseppe, who tells Michael Gavotti, a leader of Black Handers, and his master. Gavotti threatens Giuseppe if he allows Tom to see the girl again. He also tells two of his men to watch the place. While Giuseppe is absent, Tom appears and persuades Carlotta to come to the charity dance. He is seen by Tony, a fruit vendor. In love with Carlotta, and jealous of her, Gavotti's men also see him and are ordered to abduct the girl. Giuseppe returns, finds her gone, and informs Tony. The two are heart-broken. Tony learns that Carlotta is not Giuseppe's daughter. Giuseppe happens to see the monkey, "Rags," near a building and with the aid of Tony he manages to rescue the girl. It is the night of the Charity Ball and Carlotta pleads to be allowed to go and finally Giuseppe consents, if Tony accompanies her. Judge Andrews and his wife have received word from the Black Handers that their granddaughter, held in custody, would be returned upon receipt of a sum of money. Their daughter ran away with an Italian count, and, dying, had left the granddaughter in care of an Italian friend, the father having died some time before. On the night of the charity dance the Black Hand promised to return the girl. Andrews attends the ball, intending to slip away at the appointed time. When Gavotti cannot find the girl, he goes with his men to Giuseppe's room, where they find the old man packing. Not until after they have tortured him does he reveal that Carlotta has gone to the charity ball, where the Judge and his wife are startled by her resemblance to their daughter. Carlotta goes into the garden and is abducted by Gavotti. Tom, Tony and the Judge take up the chase, which ends in Gavotti's quarters. Most of the gang, including Gavotti, are killed. The Judge and Tom take the girl home. Mrs. Andrews is overjoyed at having Carlotta safe. She marries Tom. On her return from the honeymoon she seeks out Giuseppe and Tony, who rejoice with her.

Dir: Unknown Director

A visual fragment from the archive: The thematic resonance of Too Fat to Fight perfectly mirrors the editorial trajectory of our deep dive.

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.

Dir: Hobart Henley

Madge Nelson is ordered to move to the countryside for health reasons, but her finances prevent her from making the move from the city, so she answers an advertisement for a mail-order bride for miner Hugo Ennis in Nevada. However, Hugo has been the unwilling victim of a humiliation attempt by a scorned lover, and when Madge arrives in Nevada, she learns that he knows nothing about a bride or wedding plans.

Dir: Hobart Henley

Mrs. Sherwood hates her life with her husband, who is drinking increasingly as a result of his own unhappiness in the marriage. Mrs. Sherwood is in love with Le Roy Scott, who encounters a woman of astonishingly identical features to Mrs. Sherwood. He contrives to substitute the other woman, Marion Roche, in Mrs. Sherwood's place while he and Mrs. Sherwood escape for a tryst. But Marion is much more the wife that Sherwood dreamed of, and he falls in love "anew" with his "wife," and she with him. She determines to find some way to permanently replace the real Mrs. Sherwood.