Deep Archive Finds in the Vein of A Girl's Desire: Cult Guide

Dir: David Smith

Peggy Winston, the boss of a lumber camp left to her by her father, is loved by all the "jacks" of the camp. When Clayton Hargis, the son of a millionaire ship builder visits to contract for the camp's entire output, Peggy, deeply affected by him, rescues him when he falls into dangerous waters, but Clayton remains ignorant of her affection. Peggy accepts the invitation of Clayton's sister to join them in the city, and after trading her corduroys and spiked shoes for silks, blossoms into a beautiful woman. Heartbroken when she sees Clayton's fiancée embrace him, Peggy leaves and lives a week in the city after pawning her clothes. In Peggy's absence, the title to the camp is taken over by a friend of Clayton's. The friend and Clayton, who now realizes that he loves Peggy, search for her at the camp. After the hostile lumberjacks lock them in a cabin and plant dynamite underneath it, Peggy arrives, quells the riot, and saves them. Clayton straightens out the title of the camp, and confesses his love for Peggy.

Dir: David Smith

A visual fragment from the archive: The thematic resonance of Cupid Forecloses perfectly mirrors the editorial trajectory of our deep dive.

Timid village schoolteacher Geraldine Farleigh supports her family and must pay off her late father's debt to Bruce Cartwright.

Dir: David Smith

Willie Robbins loses his heart to Myra Allison, the prettiest and liveliest girl in San Augustine, but she laughs at him and taunts him. Soon after the Spanish-American War starts, Willie volunteers and plunges madly into danger, and wins a captaincy by capturing a Spanish general. Myra marries Joe Cranberry, but when Willie hears of this, he seems indifferent. After the war Willie returns to San Augustine and is met by the Mayor, a brass band, and schoolgirls. He is the hero of the occasion. After the welcome, Willie makes for the little white cottage of Joe Cranberry. Myra is on the porch, untidy and unattractive. Willie waltzes up to her and the joke is on Myra.

Dir: David Smith

A visual fragment from the archive: The thematic resonance of The Moment of Victory perfectly mirrors the editorial trajectory of our deep dive.

A hobo hires out as a sheepman. The owner of the ranch is a mysterious individual, who is suspected of being Black Bill, a badly wanted man.

Dir: David Smith

Having been discharged as the Van Smuythes' coachman for drunkenness, Thomas McQuade has joined the Bed Liners in Madison square. It is freezing cold. Standing beside him is a young man, shabby but neat. They exchange confidences and Thomas learns that the young man has just been discharged from a hospital without a penny, his wife and child having been obliged to return to her mother. He had married against the wishes of his unforgiving relatives. Just then an automobile dashes up Fifth avenue and, when opposite the Bed Line, drops an extra tire. Thomas catches it and returns it to the owner, expecting at least a dollar for the service, but, instead the imposing gentleman asks him mysteriously if he knows the Van Smuythes, and on learning that he does, Thomas is forthwith taken to a palatial house in the Seventies and fed on cold fowl, tea biscuits and wine. While thus pleasantly occupied two women are mysteriously ushered into a side room, where his host, Prof. Cherubusco, the great clairvoyant, tells them that the Chaldean Chiroscope has been successful, for had it not said "By the fifth wheel of the chariot he shall come?" But the professor, learning instead that Thomas is the Van Smuythe's ex-coachman, throws him into the street. So back to the Bed Line goes Thomas, where he resumes his conversation with his new friend. Suddenly a sturdy girl rushes up to him. It is Annie, his sweetheart and maid at the Van Smuythe's, whom he has not seen for a month. She says his old position is waiting for him, but suddenly catching sight of the other man she screams, "Mr. Walter!" And then it appears that she had accompanied her mistress to the great clairvoyant and he had hold her where she would find her sweetheart, and she had also found "Mr. Walter." After paying the car fares home she vows to give her remaining $11.85 to Professor Cherubusco, "the greatest man in the world." Moving Picture World, February 2, 1918

Dir: Alexander Butler

A visual fragment from the archive: The thematic resonance of The Hiding of Black Bill perfectly mirrors the editorial trajectory of our deep dive.

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: David Smith

A visual fragment from the archive: The thematic resonance of The Fifth Wheel perfectly mirrors the editorial trajectory of our deep dive.

"King" McAllister's word is law, judge, and jury in the cattle country where he lives with his daughter Panchita. His foreman, Price Purcell, believed he had a chance of winning Panchita's hand until the arrival of Buck Lumsden, who settled all doubts concerning the likely winner. Buck did not make a hit at first because he was "down and out" but he lingers and is made foreman of the year's round-up which was not altogether to Purcell's liking. Purcell plans to ruin Buck in the estimation of the boss as well as Panchita. After the round-up, all adjourn to the dance hall and gambling resort to celebrate, and Purcell lures Buck into a roulette game. Buck loses not only his own money but a large amount belonging to McAllister. Purcell returns to McAllister with the news of Buck's disloyalty. Buck has married Panchita. He is obliged to flee the country and sets out to raise enough money to repay McAllister for the amount he had lost to Purcell.

Dir: David Smith

The Hollisters, a bright, spirited, wholesome family, are compelled to move into the country. After many efforts to secure a home, Shirley, eldest of the Hollisters, contrives a way out by renting a magnificent old stone barn at a ridiculously low price, transforming it into a house. The owner of the barn is not an ordinary landlord, as you will see, for he is a young man with fine ideals, and he is not content with establishing Shirley and her family in the quaintly beautiful old place, but makes the world a much happier place to live in for all of them

Dir: David Smith

An opera diva touring with her company in South America charms everyone she meets except Johnny Armstrong, who has no use for her or any other woman. When she is taken captive by an Indian tribe, Johnny rescues her. On their way back to civilization Johnny sees a change in her brought about by the experience of being captured and rescued, and he begins to fall for her. However, the closer they get to civilization the more she begins to revert to the arrogant, attention-craving diva she had been. Johnny comes up with a plan he hopes will "bring back" the woman he has grown to love.