Cinematic Discoveries Resonating with the Themes of A Man of Sorrow...

Dir: Oscar Apfel

"Cameo" Kirby, so called because of his fondness for cameos, is the son of a New Orleans plantation owner who dies insolvent. When the plantation and slaves are sold at auction, Cameo's favorite body-servant is bought at auction by one of his father's friends, John Randall. John and Kirby head north on a Mississippi river boat where Randall meets Colonel Moreau. There he loses heavily on a wager and consents to a game of poker hoping to get back his losses. Kirby, through his friendship with another gambler, is adept at the manipulation of cards and suspects that Moreau is not an honest player. He joins the game and soon Randall, having lost all of his money, wagers the old homestead. Kirby wins the hand and Moreau accuses him of cheating while Randall, unappreciative of the fact that Kirby won the hand to keep Randall's estate falling into Moreau's hands, shoots himself. When his body is taken ashore, Kirby meets Randall's daughter, Adele, and instantly falls in love with her. But Kirby is on very shaky ground as he is known as the man who caused Adele's father to commit suicide, and she treats him to some southern disdain. Her brother, Tom, vows to take revenge on Kirby. He and Moreau have an un-witnessed duel and Colonel is shot dead by Kirby, who is somewhat of a dead shot among his many other talents. But Tom takes the gun from Moreau's hand so it will appear he was unarmed. Kirby, slave-owner becomes a fugitive from justice. This also deals a blow to his courtship of Adele. But, a true-blue southern gentleman such as Kirby should be able to win the day, sooner or later.

Dir: Oscar Apfel

A visual fragment from the archive: The thematic resonance of The Call of the North perfectly mirrors the editorial trajectory of our deep dive.

Trader Ned Stewart's father Graehme was unjustly accused of adultery and killed. Ned sets out to avenge his father but is captured and send on "la longue traverse," the long journey to death. Virginia saves Ned, and the villain confesses Graehme's innocence on his deathbed.

Dir: Oscar Apfel

The defense attorney who was unable to obtain the acquittal of an innocent young man concocts a complicated and diabolical scheme to get revenge on the prosecutor.

Dir: Oscar Apfel

A visual fragment from the archive: The thematic resonance of The Master Mind perfectly mirrors the editorial trajectory of our deep dive.

Little Doris Calhoun, of a wealthy English family, makes a playmate of Pierre, a crippled gypsy boy, and drifts away with him and the gypsy band on their wanderings and is seen no more. In twelve years she becomes a great favorite with the gypsies, who have named her Kilmeny, but rather than be married to a brutal fellow, Barouche, she flees the camp. Kilmeny is found wandering in the woods, by Lord Leigh, and he persuades the rather reluctant Lady Leigh to give the ragged little wild thing shelter in the manor. The child of camps and trails at first finds naive delight in mysteries like electric light switches, bath tubs with fickle showers and rugs upon which she can slide beautifully over the hardwood floors. But long dresses trip her, the butler is a thundercloud, and at night she cannot sleep in the closed-in room unless she pulls her little white bed to the window. To make it worse, Lady Leigh becomes jealous of her husband's protegee, and so does her brother, Bob Meredith, a dashing chap with whom Kilmeny is very much in love. The sensitive girl who cannot bear to hurt birds, beasts or any living thing, cannot bear to hurt her benefactors either, and so in a pathetic self-sacrifice turns her back upon the manor and returns to the angry gypsies, and to Barouche. But just as the gypsy wedding ceremony is about to begin the father of the long-lost Doris Calhoun appears and calls a halt, and proves the beautiful Kilmeny is his own daughter. To prove it, he produces the poor cripple, Pierre, who has braved the wrath of the clan to balk the brutal Barouche and carry word to Kilmeny's father of her whereabouts.

Dir: Oscar Apfel

While traveling incognito through his kingdom, Prince Ludwig of Saxe-Tholberg becomes infatuated with Katrina, the daughter of innkeeper Hermann Ardelheim, but their idyll is interrupted by the arrival of a courier bearing the news that Austrania has threatened war. Katrina is heartbroken to discover the identity of her sweetheart whom she can never hope to marry. After Ludwig's departure, Katrina overhears the plotting of two spies and with the help of her brother Raolf, she confronts them. In the ensuing struggle, Katrina kills one of them, who turns out to be the Austranian ambassador. Although Katrina admits her crime, Marshal von Trump plans to execute Raolf in order to pacify the Austranians. Katrina appeals to Ludwig, who pardons Raolf over the advice of his counselors causing Austrania to declare war. A crucial battle is fought near the Ardelheim inn, during which Katrina becomes a heroine by signaling the advance of Ludwig's troops. She is fatally wounded by the Austranians and is then brought to the inn where she dies with Ludwig at her side. He then eulogizes both Katrina and Raolf, who has also died in battle.

Dir: Oscar Apfel

A visual fragment from the archive: The thematic resonance of Kilmeny perfectly mirrors the editorial trajectory of our deep dive.

Bob Van Buren's rescue of an upper-class Turkish girl and her duenna in Constantinople when they are waylaid by robbers paves the way for a romance between them. The romance progresses rapidly despite the hullabaloo raised by Demetra's father and by the Turk fiancé he is trying to force upon her; but the very thought of a girl, so highly educated, so gifted with needle and loom, so famously graceful as a dancer ending up in a harem instead of a respectable home, drives Bob Van Buren to desperation. At length he persuades Demetra to elope with him to America, where Demetra could be married at his mother's in New York. Getting wind of it, the malicious Osman hires a band of ruffians who make away with Bob Van Buren on the very eve of departure. With her young American mysteriously vanished, and the day of her now-all-the-more-odious wedding to Osman drawing near, Demetra can stand it no longer, and taking her duenna, flees to a cousin's in New York on the P. and O. boat on which Bob had reserved sailings. Osman pursues the little refugee, corners her in New York, and with oriental cunning sets a trap into which Demetra walks blindly. Having her in his toils again Osman summons a second Turkish priest and is just forcing Demetra to her knees before him when the door bursts open and in rushes Bob Van Buren, who had finally escaped the dungeon in Constantinople to which he had been consigned. He routes Osman and takes Demetra to his mother's. Mrs. Van Buren suggested that the lovers wait until September, but their hearts were set on June. And so, as you may very well imagine, June it was.

Dir: Oscar Apfel

Nicknamed "Wild Olive," Miriam Strange learns that her mother was an Indian, she moves to a hut near an Allegheny lumber camp. Norrie Ford, fresh from college, visits his uncle, the bullying boss of the camp, and meets Miriam. After his uncle is murdered with a knife found hidden under Norrie's mattress, Norrie is sentenced to die. He escapes a guard and, after staying a night in Miriam's hut, leaves for Buenos Aires with her letter of introduction for employment. Although he vowed to marry her, after his letters to "Wild Olive" return undelivered, Norrie, sporting a beard and an assumed name, becomes engaged to Evie Wayne, Miriam's stepsister. When Norrie is sent to be his firm's New York manager, he meets Miriam again. She sacrifices her love and agrees to marry lawyer Charles Conquest, if he will prove Norrie's innocence. After Evie learns about Norrie's past and breaks the engagement, the murderer makes a deathbed confession. Conquest releases Miriam when he sees that she loves Norrie.

Dir: Oscar Apfel

A visual fragment from the archive: The thematic resonance of The Last Volunteer perfectly mirrors the editorial trajectory of our deep dive.

Daniel Esmond, an English writer, discovers he has a half-sister who is a gypsy. He joins a gypsy clan to find her, and eventually becomes chief of the clan.

Dir: Oscar Apfel

While engaged in battle, Pierre Duval, a French soldier, stumbles onto the mortally wounded Count de Morave. Before dying, the count begs Pierre to deliver some family jewels and papers to the Vicomte Raoul de Reyntiens. At home, Pierre places the jewels in a box that also contains a necklace given to Margot, his wife, by the Duke D'Auberg. While stealing the box, Lazare, a war correspondent who witnessed Pierre's scene with the count, attacks and kills Margot. Found guilty of the crime, Pierre is sentenced to life imprisonment but is pardoned after performing a dangerous jailhouse rescue. Mavis, his daughter, who has been adopted by the duke, falls in love with the poor vicomte but is courted by Lazare, now posing as the Count de Morave. To win her love, Lazare gives her some of the stolen jewels, including the duke's necklace, but when Pierre sees the necklace later, he exposes Lazare and wins retribution.

Dir: Oscar Apfel

A chivalrous British officer takes the blame for his cousin's embezzlement and journeys to the American West to start a new life on a cattle ranch.