Recommendations
Senior Film Conservator

After experiencing the poignant storytelling of Always Audacious (1920), you are likely searching for more films that share its specific artistic vision. Unlock a new level of cinematic understanding with these Romance alternatives.
This 1920 Romance classic stands as a testament to push the boundaries of conventional storytelling.
Reckless heir of an influential San Francisco family, Perry Danton must prove his worth by taking a job with the family lawyer before he is entrusted with the Danton fortune. When Perry's fiancée Camilla mistakes criminal Slim Attucks for Perry, Attucks realizes that he can take advantage of the resemblance and concocts an elaborate plan, installing his cohorts in positions close to the Dantons. He then has Perry shanghaied onto a steamer bound for Honolulu. Taking over Perry's job and fiancée, Attucks soon becomes so familiar with Perry's affairs that Perry can make no one believe his story when he returns. After enlisting the aid of the editor of a major newspaper, Perry confronts his double in the lawyer's office, where a test is administered that supports Attucks' claim, thanks to Perry's feeble knowledge of his own affairs. Perry is spotted by a banker whom Attucks had previously robbed and is subsequently arrested, but a reporter who believes Perry's story arranges for his release and for yet another confrontation, this time in Perry's home. All the evidence points against Perry until his dog recognizes his true master, exposing Attucks' charade. Camilla tells Perry that she has known of the deception for some time, but that she would not speak up until Perry had proved true to the Danton motto: "Always Audacious."
The influence of James Cruze in Always Audacious can be felt in the way modern Romance films handle poignant storytelling. From the specific lighting choices to the pacing, this 1920 release set a high bar for atmospheric immersion.
Based on the unique poignant storytelling of Always Audacious, our vault has identified these titles as the most compelling follow-up experiences for fans of Romance cinema:
Dir: James Cruze
Railroad magnate Gordon Rogers agrees to allow his daughter, Helen, to marry wealthy idler Billy Deering, Jr., but only if the latter can hold the same job for one month. Billy is hired for an array of jobs, including office clerk and xylophone player, but always quits just before being fired. He then finds work in a restaurant where he is required to dress as a knight in armor and pose as a statue. On one occasion, Gordon, Helen, and Billy's romantic rival, Tom, enter the restaurant, and Billy is nearly fired when Helen recognizes him. Meanwhile, Gordon plans to merge one of his railroads with a company that is in a dispute with Tom's uncle, an unprincipled financier. Acting on the promise of a generous cash reward, Tom is determined to steal documents relating to the merger. Billy manages to stay at his job for thirty days, and in the process, exposes Tom's scheme, winning Gordon's consent to marry Helen.
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Dir: James Cruze
A young man pursues a young lady with the same energy he applies to his other obsession in life, auto racing.
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Dir: Wilfred Lucas
Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.
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Dir: Alexander Butler
In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.
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Dir: James Cruze
When Captain Dieppe, an American agent of French descent, refuses to divulge confidential information he gathered for a small Italian principality until they pay him, he is pursued by secret service agent Guilamo Sevier to Fieramondi in Northern Italy. Dieppe agrees to help the lonely Count Fieramondi convince his wife to return from her isolated wing of their castle. The countess, after convincing her cousin Lucia to take her place in the castle, goes to Rome to raise money to pay Paul Sharpe, who is blackmailing her because of her gambling debts. Dieppe falls in love with Lucia, whom he thinks is the countess, and after he fights Sharpe and steals the evidence of the debts, he sacrifices his own love by preparing a reconciliation between the count and the countess. After Dieppe obtains his money from Sevier, the real identities are revealed. Finally the count and countess are reunited, while Dieppe and Lucia maintain their romance.
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Dir: F. Martin Thornton
In Paris an orphan cartoonist loves a man with a mad wife, who dies in time to prevent her marriage to a jilted Comte.
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Dir: James Cruze
Walsingham Van Dorn, a rather unsuccessful book agent, is stunned to learn that he has inherited forty million dollars from his two uncles. Van Dorn asks his attorney Wilkins to handle the responsibilities entailed in managing the fortune and then retires to his mansion. One evening, however, he is awakened by a young woman named Desiree Lane, who refuses to leave until the two million dollars that his uncles swindled away from her father is restored. Van Dorn tries to return the money but discovers that Wilkins has stolen it and fled. Van Dorn and Desiree set out to find him, but when the hotel in which they have stopped for the night burns down, they are left standing in the street clad only in pajamas. To avoid a scandal, they marry and happily settle down. Two years later, Wilkins, unable to handle the fortune, returns it, but the young couple wonders whether they will continue to be happy as millionaires.
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Dir: James Cruze
An inventor travels to the South Seas, where there is buried treasure belonging to a girl. The girl's father is being held captive by cannibals until she returns a pearl that belongs to one of their idols.
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Dir: Bruno Ziener
A fascinating piece of cinema that shares thematic elements.
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Dir: James Cruze
When the brokerage firm of Blatch, Markham and Driggs dissolves, Markham steals company records and the option of a valuable mine. Meanwhile, Blatch, who wants the option to expire so he can then purchase it at a low price, hires attorney Burley Hadden to convince Driggs that he is trying to recover it. Hadden sees John Craig, a bungling construction contractor who needs $800 for his payroll, running nervously from the pop of a paper bag, and offers the supposed "dub" $1,000 to retrieve the papers, thinking he will fail. After Markham tries to dupe John, he meets Enid Drayton, Markham's ward, who is being held a virtual prisoner in Markham's mansion. With the help of a friendly burglar, they retrieve the option and other papers which prove that Markham and Blatch had been cheating Driggs for years. After Driggs rewards John and informs Enid that she owns a million dollar estate, she and John embrace.
View DetailsAnalysis relative to Always Audacious
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| You're Fired | Ethereal | High | 93% Match |
| The Roaring Road | Gritty | Abstract | 97% Match |
| The Jackeroo of Coolabong | Ethereal | High | 85% Match |
| The Night Riders | Ethereal | High | 96% Match |
| An Adventure in Hearts | Tense | Abstract | 88% Match |
This guide was algorithmically generated using the cinematic metadata of James Cruze's archive. Last updated: 5/19/2026.
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