Cinematic Discoveries Following the Footsteps of Arsena Kachagi: Cu...

Dir: Charles Swickard

A young Egyptian goes to the rescue of his employers, a wealthy European family, when they are menaced by a local strongman and his gang.

Dir: Sidney Franklin

A chorus girl hopes to rise to stardom and thus accepts the advances of a wealthy man. But she becomes fearful of her reputation and safety. In an attempt to escape the rake's attentions, she hides out with a disparate group of men who room in a house called "The Barn." There she learns that there is more to life than that found on the stage.

A visual fragment from the archive: The thematic resonance of Two Weeks perfectly mirrors the editorial trajectory of our deep dive.

Dir: Jerome Storm

David Harrington plans to marry Betty Graves. He is an old-fashioned boy, believing in marriage, having children, and living a suburban life. Betty is more ultra-modern, and independent. When Betty gets a tour of the bungalow that David has built for them, she says it's cute but she would hate to have to live in it. The two break up and Betty goes back to a former sweetheart. Sybil, the wife of David's friend Herbert, has just has a row with her husband because he wouldn't buy her a new hat. So she takes their three children and hides in David's home, hoping to throw a scare into her husband. Now David tries to take care of the kids, hoping to forget his own troubles. Herbert phones David that he is coming over, but David tells his friend he has the measles. Meanwhile, Sybil's kids have gotten sick from eating too much taffy. So David calls Betty's father, who is a doctor. Betty comes over with her father, and David cooks up a scheme with the doctor to quarantine the house so that Betty will have to stay and help him take care of the children. Herbert arrives and chaos ensues when he discovers his wife and kids are there. Eventually, things get straightened out and David regains Betty's love.

Dir: George B. Seitz

The adventures of a gentlemanly crook of astonishing resourcefulness.

A visual fragment from the archive: The thematic resonance of An Old Fashioned Boy perfectly mirrors the editorial trajectory of our deep dive.

Dir: Aubrey M. Kennedy

Wealthy oil magnate Harry Mangin is in love with his competitor James Murdock's daughter Blanche. Mangin schemes to ruin Blanche's father so that the girl will be forced to accept his attention. However, Blanche loves "Sky Eye" Blake, an aviator at the adjoining U. S. aviation field. When Mangin is driven in desperation to muster his own private air force in order to destroy his rival's oil plants, "Sky Eye" takes to the skies to quell the riot. After several daring escapades, "Sky Eye" captures Mangin and wins Blanche for his bride.

Dir: Colin Campbell

Although separated at birth, Siamese twins Fabien and Louis de Franchi remain united emotionally. One day, Parisian Emilie de Lesparre arrives in their Corsican village with her father, and both brothers fall in love with her. Louis goes to Paris to study law and sees Emilie often, but Emilie loves Fabien who has remained in Corsica with their mother. While attending a dinner given by another admirer of Emilie's, M. Chateau Renaud, Louis is drawn into a duel with Renaud and killed. Back home, Fabien senses what has happened and journeys to Paris to avenge his brother's death. After he kills Renaud in a duel, Emilie finally confesses her love to Fabien.

A visual fragment from the archive: The thematic resonance of Velvet Fingers perfectly mirrors the editorial trajectory of our deep dive.

Dir: J. Gordon Edwards

William Farnum is Drag Harlan, a tough cowboy vigilante. After learning about a gold mine from a dying man, he seeks his daughter (Jackie Saunders) as well as the gold. He falls in love with her, but the same gang that shot the old man is after the gold.

Dir: Arthur Rosson

The Hopkinses are a family of squatters struggling against the wealthy landowners or "hilltoppers." When Jerry Hopkins is unjustly imprisoned, his young wife and baby die as a result of the shock, but his sister Polly maintains the faith that has been instilled in her by her grandmother. Later, Polly meets hilltopper Robert Robertson and the two fall in love. Their courtship is disrupted when Robert's sister Evelyn is blackmailed by Oscar Bennett, the man to whom she is secretly wed. In her efforts to help Evelyn, Polly falls under unjust suspicion. Meanwhile, MacKenzie, one of the vindictive landowners, arrests Polly's father and sends her brother to an orphanage. Devastated by these events, Polly's grandmother dies of grief and Polly swears revenge. She has Evelyn kidnapped and brought to her cabin, but the memory of her grandmother prevents Polly from harming her tormentor. Polly's nobility inspires Evelyn, who exonerates Polly, thus clearing the path for her marriage to Robert.

A visual fragment from the archive: The thematic resonance of Sky-Eye perfectly mirrors the editorial trajectory of our deep dive.

Dir: Victor Heerman

In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.